O.K., Lak and Twl, we have had some discussions in the past that have been great and very informative.
Can you explain to me why the Systrum stuff is any different than any other cones? I have been playing around with cones starting with the Mod Squad Tip Toes for years. They do change the sound. The Systrum stuff appears to be just two cones, one pointed up and one pointed down. There's a guy here on AGon that pushes this stuff at me like the follower of a cult ministry stuffing literature in my face at an airport and parroting the Audio Point manifesto. Yet I am quite sure he has not tried the alternate method he so adimantly puts down. (you know who you are)I hate to say that this approach tends to turn me off and my reaction is to write it off as "kooky" talk along with everything else he has to say. I am trying to keep an open mind here and hope you two guys can shed some light on this for me.
I tend to be more in the camp of an article written by Doug Blackburn in Soundstage, under the link, columns, "Exploding the Myth of the Cone Footer". Blackburn feels that they are(pun intended)somewhat pointless. He makes the case that the scientific community relies on pneumatic and hydraulic devices for use with devices like laser support platforms and microscopes and that no other apptication can be found for cone points other that in high end audio.
To use another example to ilustrate the devide among some of us, who seem to agree on many other topics,I piont to Alan Kafton at Audio Excellence. You guys seem to be on the same page with him on many items, like Vouight Pipes, cryo treated Hubbell outlets,& tube electronics, yet Alan(though I can't speak for him) is selling and obviously belives in the Tounshend Audio products such as the Seismic Sink.
I have no direct experience with the Systrun stuff so I am not syaing it does not do what you say it does. I don't have an unlimited budget to try every device, cable,& tweak out there(I wish I did!). I just wonder what gives here?
Can you explain to me why the Systrum stuff is any different than any other cones? I have been playing around with cones starting with the Mod Squad Tip Toes for years. They do change the sound. The Systrum stuff appears to be just two cones, one pointed up and one pointed down. There's a guy here on AGon that pushes this stuff at me like the follower of a cult ministry stuffing literature in my face at an airport and parroting the Audio Point manifesto. Yet I am quite sure he has not tried the alternate method he so adimantly puts down. (you know who you are)I hate to say that this approach tends to turn me off and my reaction is to write it off as "kooky" talk along with everything else he has to say. I am trying to keep an open mind here and hope you two guys can shed some light on this for me.
I tend to be more in the camp of an article written by Doug Blackburn in Soundstage, under the link, columns, "Exploding the Myth of the Cone Footer". Blackburn feels that they are(pun intended)somewhat pointless. He makes the case that the scientific community relies on pneumatic and hydraulic devices for use with devices like laser support platforms and microscopes and that no other apptication can be found for cone points other that in high end audio.
To use another example to ilustrate the devide among some of us, who seem to agree on many other topics,I piont to Alan Kafton at Audio Excellence. You guys seem to be on the same page with him on many items, like Vouight Pipes, cryo treated Hubbell outlets,& tube electronics, yet Alan(though I can't speak for him) is selling and obviously belives in the Tounshend Audio products such as the Seismic Sink.
I have no direct experience with the Systrun stuff so I am not syaing it does not do what you say it does. I don't have an unlimited budget to try every device, cable,& tweak out there(I wish I did!). I just wonder what gives here?