Today's Transport War: Significant Differences?


I have been reading much these days about computer/hard-drive based transports as being a whole order of magnitude superior to traditional CD transports. In my reading, the camp who believes hard-drive based transports can render major improvements has been most notably represented by Empirical Audio. The camp which suggests that traditional CD transport techonology (or atleast the best of its sort--VRDS-NEO) is still superior has been most notably represented by APL Hi-Fi.

Each of the camps mentioned above are genuine experts who have probably forgotten more about digital than many of us will ever understand. But my reading of each of their websites and comments they have made on various discussion threads (Audiogon, Audio Circle, and their own websites) suggests that they GENUINELY disagree about whether hard-drive based transportation of a digital signal really represents a categorical improvement in digital transport technology. And I am certain others on this site know a lot about this too.

I am NOT trying to set up a forum for a negative argument or an artificial either/or poll here. I want to understand the significant differences in the positions and better understand some of the technical reasons why there is such a significant difference of opinion on this. I am sincerely wondering what the crux of this difference is...the heart of the matter if you will.

I know experts in many fields and disciplines disagree with one another, and, I am not looking for resolution (well not philosophical resolution anyway) of these issues. I just want to better understand the arguments of whether hard-drive based digital transportation is a significant technical improvement over traditional CD transportation.

Respectfully,
pardales
This has been a very interesting discussion thusfar. I have personally compared a purpose built computer with a very high end transport( not the esoteric, Alex)and have found the computer to nearly the equal of the transport for 16/44.1 playback. More recently, I have heard the computer via the USB converter that Steve Nugent makes and must say that for 16/44.1 the computer is the equal of and often betters the high end transport.
Whilst I can appreciate the pride of ownership that must accompany possession of a player such as the APL NWO 2.5 (which I must say I have not had the priveledge to hear), so far just from pure listening alone the computer is showing tremendous potential to be the ultimate "transport" IMHO.
J. Sarduni, it's good to see you around! :-) How have you been?

I do think right now a computer setup can beat most high end players, but not the top notch CD playback systems.

This is exactly my point!

Regards,
Alex
By design a computer will always output a superior digital signal. Bit-perfect data is read from harddisk to memory then upsampled with much better precision. This happens in a ‘noiseball’ but critically outside of any realtime clocking mechanism and no bits are mangled/lost (essence of computing). Hence no jitter occurs during data prep stage.

Last stage transfers buffered data perfectly to sound output device (connected via usb, ethernet or internal bus). This device adds a clock and generates spdif signal for dac. This task will create jitter and needs to be optimal (clean power not sourced from noiseball, very high quality clock if dac does no input buffering and/or reclocking, etc.). All transports have same challenge here.

The way I see it, traditional transports suffers more jitter. In realtime, CD spins, data is upsampled (but not as good as a computer) then fed to dac – this all happens under a strict clocking regime. As noted in Altmann’s website (What is Jitter?):

“A simple CD player has multiple motors or actuators and associated control loops, in order to perform disc reading:
There are f.e. the spindle motor that turns the CD, the sledge motor that performs axial tracking, and actuators for focus and radial tracking.
Each of these motors / actuators will add a portion of noise to the power supply of the player and this noise will affect accurate switch timing.
So, each of the motors /actuators adds jitter to the digital audio signal and each adds a different kind of jitter (different in frequency, amplitude, waveform) and will affect audio reproduction in different ways.”

Put another way, jitter is compounded by the spinning CD which induces various types of power supply jitter. (I can see why esoteric built the VRDS Neo mechanism.)

Nova’s Memory Player does away with spinning CDs in realtime. Playback is driven by a computer.
Much of the above technical discussion is interesting and yes, I do accept that data stored on a computer's hard drive can be superior.

There are, however limitations. The first has to do with the format used to rip a CD. Everything is most dependant on the DAC used. I just purchased a Slimdevise TRANSPORTER which has a really high-end DAC and now my music on my computer as well as streaming audio is as good as my stand-alone CDs. Getting to this point took a while.

I had never been happy with my Apple G5's ability to play back my music. I have an Audio Aero Capitole CD player and I have a pair of bridged McIntosh 2102 amps and my speakers are Kef Referance 205s. Music from my computer, even using Apple lossless or WAV simply never equaled what I got from my primary system. I ordered a TRANSPORTER, but since they were back-ordered they gave me a squeezebox for free and this was an improvement. Then, the Transporter arrived and it sounds great. It has several digital outputs, including a balanced AES/EBU which makes it the first unit i have owned that actually outputs this signal. It also outputs toslink, coax and SP-dif. I have tried all three as my Audio Aero will accept any of these and the SP-dif sounds the best. Even streaming audio sounds good.

So, yes pure data well stored is fine; don't ignore the system's retrieval ability as cold science is still cold.
I'm confused. You say the Transporter has a great DAC, but it sounds like you are taking its digital out and using the DAC in your Audio Aero.