Turned back into a music lover


If you can delight in the many wonderful subtleties of a performance instead of listening for audio thrills you’ve turned back into a music lover. The behemoth that is your audio system tempts you mightily. But if you can somehow evade that temptation, you can fully enjoy music again.

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"instead of listening for audio thrills you’ve turned back into a music lover."

Does this mean there are members here who listen for "audio thrills" instead of the actual music? 

SHOCKING!

Good observation. I had spoke to a non-audiophile friend of mine and he asked me about listening to music on my audio system. I call it my High Fidelity rig. I told him that sometimes when one listens to a song one can hear sounds that would not normally be heard on the car radio, or on old Bose wave radio at home, but might just be heard on a High Fidelity rig. I told him if Norah Jones takes in a breath before she starts to sing, you will hear that. He said, "why would you want to hear that sound’? The sounds he misses in a recording, the dynamics, the low base rumble, the separation of instruments are all the things (and more)... are things he does not care about. Listening to music live is very enjoyable, the ambiance, the scales of the sounds, the audience... it’s all great.

OP,

I think you point to a dichotomy in interest / appreciation that is very much a part of this pursuit. We are analytical in building systems… but are emotional in appreciating music.

Over the last fifty years, most of my systems tended to be a bit more on the analytical side. They highlighted the venue of the performance… and slam… you could easily hear a musician move his foot. During this time I was working and at most would have thirty minutes to an hour a day to listen to my system. If I had more time… I would not use it listening to my system. I would loose interest.

Occasionally in my search for equipment I would hear incredibly musical equipment… this stuff would just reach inside of me and grab my heart. They either lacked details or cost a small fortune.

Once I started attending the symphony regularly I started noticing differences between real acoustic music and my highly detailed system with heavy slam. My system was not really that musical (mine has never been way over on the details / analytical side… that was never me). This exposure showed where my system was deficient. I started making changes.

I already had a great tube preamp and phonostage.. which is why my system already had soul… but not nearly enough. I traded out my planar speakers and one by one swapped my solid state gear for high quality tube gear. Each step added to the magic and emotional content of the sound without loosing details.

Now, I am retired, I listen to music three and a half hours or more a day… I literally have to drag myself away from my system… it is so musical and compelling… it still has all the details… they are just not served up in my face and bass is ample and highly detailed only not artificially accentuated into slam.

 

So, good observation. But in addition to how you listen, the design of your system determines how it sounds… you can design for analytical excellence or musicality and emotional connection. As a group we tend to be very analytical… and that can actually lead us away from what we were actually attracted to in music in the first place.