TW-Acustic Raven 10.5 or DaVinci Grandezza??

Dear Dertonarm: +++++ " Cartridge manufacturer do - and since quite some time - feature special set-ups where ultra accurate placement of the stylus is long an easy and swift procedure.
" +++++

as always only " bla, bla, bla, " where you are very good but with out any real facts that prove with certain that your statements are true. In almost no one of your statements against the Raven and in favor of the Grandezza you give any certain facts that gives foundation true foundation on what you stated.
This is your " history " always. If we take the link on the Raven tonearm that posted Kdl we can read a post from Ttttt where he made a specific question:

++++Dertonarm,

Just to get back to the market situation:

What are the technical issues in tonearm design? ++++

and as always you made a " history " ( a long one because you are a good " chuildren teller " tales. ) with no specifc answer and this is what Ttttt posted about:

++++ Dertonarm,

Thanks for the explanations of the Graham an Wheaton. I already knew the details. That is not my point and a different story.

I am asking you, because you are claiming to have the superior knowledge in this case. " ++++++

In the other side and now that you already ( as always too. ) put some " clouds " on the main Raven/Grandezza subject in this thread you don't answer the other limitation on the Grandezza that you dimished: anti-skate, which is your " history " here on why is not need it.
All people here are waiting for your answer and I hope no more dark clouds in your posts but facts proved facts that on the azymuth subject you did not because IMHO you have nothing on hand other than your " tales ".

This is not the first time, as we can read on that link and in other Raven treads, you are in conflict in a " personal " manner with Raven in the same way you showed the same personal conflict with Schroeder tonearm and Frank it self, so how much of what you said about is really true ( even with out facts ) and not only your internal/self/mind conflict with Raven as happened with Scroeder? IMHO in this regard you are full non-trusty with non-trusty opinions.

Of course that you are wise enough to leave out that " conflict " and give a non-biased opinion that like other people opinions always is welcomed.

regards and enjoyy the music,
R.

D: All that in good shape. IMHO we don't need clouds to create confussion we need " clean " facts that help everyone to understand where we are seated that is the real world and not where we desire to be seated that's today is only a good hope or dream.

R.

Dear Rockitman, dear Lewm, in the early 2000s the Denon DL-103R was introduced.
I bought over a span of about 18 months a total of 46 samples.
Denon - as always - does include it's nice plotted frequency response with the output of both channels in mV.
The output did differ over a range from as low as 0.23mV up to 0.42mV.
Out of these 46 samples - which did came in 3 batches - 4 samples showed absolutely identical output on both coils.
At least identical to 0.005 mV.
Each of these 4 samples sounded VERY different to all the other 42 samples.
Much better than any of the other 42.
In terms of soundstage dimensions, extension and rock solid imaging during crescendi they were the equal of cartridges costing 20x as much.
Each of these 4 samples would have made a excellent example for the 50+ years of fame this particular cartridge enjoys.
Needless to say - each of these 46 samples had a 90° on spot stylus - judged by eyesight.
With the 4 "prime samples" and 4 others I had them examined with an electron-microscope to confirm what mere eyesight and sound did suggest - no derivation from 90° vertical.
With a then US$180 cartridge.
All top performing cartridges where I had a chance to examine their respective output of the coils did show VERY good matched coils indeed.

My cartridge manufacturer would do us a great favor by including a test sheet with the individual output of the coils, source impedance and their inductance ( with LOMCs in particular).

I believe - and have found exactly that on many occasions (read: set-up's in private audio systems ) - that most "azimuth corrections" were in fact stimulated by noticeable unbalanced output, - but ascribed to a misplaced stylus.

I am not a fan of the DaVinci, but I respect Brehm's point of view.
Having had a brief audition to his cartridge - which is dead on 90° of course - I see why his statement was made.
If - IF - all cartridge manufacturers out there would do their work as promised ( I know that Lyra, Ikeda, Denon, AT/Signet, Ortofon do ), there simply should be no need for azimuth adjustment.
Especially so, as - by the sheer frequency it is mentioned and apparently "applied" - it often is used without need and by error.

As is anti-skating.
The large portion of misplaced cantilever in used market cartridges speaks a clear statement here.

A statement which should now promote the thread even further ....;-) ...

I think azimuth is a must for Der :-)

06-24-09: Perrew
D
what in your opinion constitutes a good tonearm?

06-24-09: Dertonarm

Dear Perrew, in no particular order:
- dynamic balanced design (I consider this a must !),
- adjustable overhang and AZIMUTH,
- very rigid construction - resulting in good energy and vibration handling,
- 10" minimum effective length to get below 2 degrees error,

I believe these are among the few key features of any great pivot tonearm design. All truely great pivot tonearms do have these 4 in common (except the Graham Phantom - which I would include in my list).
Cheers,
D.
Dertonarm

Dear Lbelchev, you will be surprised, but again the key problem is reading.
Perrew asked for my opinion what constitutes a good tonearm.
I said above the DaVinci sounds good (if aligned exactly) and that it does represent a better value ( particular in future sale on the used market ) than the other contender.
About azimuth adjustment, I said above it should not be necessary ..... and that I respect Brehm's point of view.

My tonearm too does feature azimuth adjustment (in fact with fine calibrated scale that is - so one will always get back to precisely set positions) - as you will see in 4 months here pictured on Audiogon.

Still very interesting to see, how very few - of the "fan-groups", as well as the more smart ones here - seem to have a problem in the first with misplaced stylus.
Did I miss something here and is it indeed an inevitable law of nature?
Or were we just told for so long it is?

I am realizing that I fight a rather lonely battle here - but no problem, I am used to it.
Following one of SJ's key phrases automatically leads to this.
So - who's next ?