Hi Ghosthouse, thank you for sharing my thoughts. First I would like to say that I personally think the Village Vanguard sessions are quite extraordinary and beautiful. I started this thread because I would like to know from you (fellow music lovers) what is in your opinion the ultimate reason why this particular recording is so "great". Today I heard the slow part (Largo) from J.S. Bach's third Sonata for unaccompanied violin. If you know this piece, you'll understand what I am trying to say. I'm not saying that Bill or Miles play few notes: they play as much notes as necessary, not more, not less, and each of those notes has it's own unique place within the structure of the music. That is what I call "Zenlike", because (forgive me if I'm wrong, I'm not an expert in this field) the Zen philosophy is about the "essence" of things. This essence can be found in the Village Vanguard sessions, but also in Picasso's Guernica, Miles Kind of Blue, Mozart's Don Giovanni, Bach's Sonata for unaccompanied violin, Charles Eames' Lounge Chair, Rubik's Cube, the classic Mercedes-Benz "Gullwing" model, etc.
Chris
Chris