Vinyl reissue labels to avoid?

I have a few recent Music on Vinyl 180g jazz reissues which are quite decent, and according to their website, they use analogue masters:

"As for our sources; We are provided with the best possible (analogue) masters available. On top of that, our sound engineer has over 35 years of experience in cutting and mastering records for (major) labels."

Does anyone else have more experience with them?

Was reading the following just the other night -- http://www.analogplanet.com/content/reissue-labels-avoid-and-some-best-proceed-caution
It may be of interest.
-- Howard

Simply Vinyl did good on Nick Drake IMO.

I have a Jazz Wax reissue of "Ben Webster meets Oscar Peterson" that is fabulous. Bought it off of ebay for $12. I compared it to the Bob Ludwig Verve reissue and I much prefer the Jazz Wax.

First, the pressing and vinyl quality are outstanding. No surface noise what so ever. Then there is a nuance and subtlety to the Jazz Wax that just draws me in. You can hear Oscar talking to himself as he plays, and you can hear every detail of the nuanced musicianship of Ben and Oscar - Ben's slurs and breath, Oscars delicate filigree, the unobtrusive but tasteful drumming, the studio reverb is intact and natural.

These may have been made from CDs. There is certainly no tape hiss, so someone did something to whatever the source is. I don't care. This particular record is so gorgeous that I just melt into the playing.

I realize the questionable origins of these releases. If they were made from CDs then all I can say is that the lowered noise floor and pressing process more than make up for what may have been lost in the CD. Sure that sounds counter intuitive, but I don't have any other explanation.

One other things, it does not sound unlike the Verve reissue. It just sounds better to me.

Just my opinion, but at least in this case, I am glad that I was not dismissive.

I am consistently impressed by the OJC vinyl.

I agree! Many of the earlier pressings sound terrific.