I think each cartridge must be good or bad in its original form, each time someone changing a cantilever from one to another the result is a different cartridge and the sound is not as expected by the designer of the original cartridge. Some people think they are always smarter than cartridge designers or they think their re-tippers are smarter than people who actually design cartridges. The problem is that a cartridge is not good enough, simply not the best model or does not sound as expected.
Many cartridge designers explained why it can be a disaster, refirbishing is very bad idea for almost any high class cartridge. For a low class cartridge it can work, but If a cartridge is not good then it can be replaced by a much better cartridge, no need for frankenstein that retippers are offering.
Stick to the original cartridge and if you don't like it buy another original cartridge. This process can take entire life, because hundreds of great cartridges are on the market (lomc, mm, mi, moving flux, strain gauge etc) and you never know what you like until you will buy it! Some carts like IKEDA or Decca does not have a cantilever at all.
Many cartridge designers explained why it can be a disaster, refirbishing is very bad idea for almost any high class cartridge. For a low class cartridge it can work, but If a cartridge is not good then it can be replaced by a much better cartridge, no need for frankenstein that retippers are offering.
Stick to the original cartridge and if you don't like it buy another original cartridge. This process can take entire life, because hundreds of great cartridges are on the market (lomc, mm, mi, moving flux, strain gauge etc) and you never know what you like until you will buy it! Some carts like IKEDA or Decca does not have a cantilever at all.