I've found that Paul McGowan has a point: especially with acoustic music (solo, unamplified voice; solo acoustic instruments or small ensembles; piano), the volume usually sounds best when it reproduces accurately the volume that instrument would produce in your environment. Therefore, even a piano can easily be played too loud; if your room is small, a grand piano would overwhelm it, and not just by taking up too much space. One of the things a good audio system should do is to accurately recreate the size of the instruments being played. Perceived size is not entirely a matter of SPL, but they are correlated.
When it comes to amplified music (rock, most jazz, electronic, etc.), this principle is harder to apply. As long as your amp isn't driven into clipping and the high frequencies still sound sweet, your pain threshold is about right for a band like Tool or Massive Attack. After all, that's where the volume would be in a live show.
Be aware, by the way, that "weighting" on SPL meters is crucial. Most are "A" weighted (note that the OSHA standard ditusa cites is given as "dBA"). Most laptop SPL meters I've seen, and most inexpensive hand-held meters on eBay or Amazon, are ONLY "A" weighted. What this means is that frequencies below 100 Hz are NOT registered at all! So if you're listening at, say, 70 dB with an "A" weighted SPL meter, you're probably hearing music that would measure 80-90 dB in "C" weighting, or even more. I learned this the hard way.