Interesting that the OP focuses on insufficient bass.
The funny thing is that I find the opposite of Juan - many high end systems have too much bass. (For the record, so does many an Aiwa Boom Box.) A lot of speaker systems substitute quantity (of output) in the mid/upper bass for true deep bass extension.
On top of that, room interactions usually create a hump in the mid/upper bass that drives me nuts. You don't get this effect in a performance space, but listening rooms are almost always small enough to create this problem. It's why I moved to room corrected subwoofers. Since relatively few people correct for this (digital correction or hemholtz devices - like a bass buster), it's curious that Juan's issue is the opposite of mine.
Also curious - I, too, spend about an hour a day with a guitar (usually an acoutic archtop for jazz and western swing), so my reference is quite similar. It really points to the original question:
What % of us really knows sound?
The answer is that all of us are sensitive to something or another and many of us disagree as to what is "right". Personally, I hold Harry Pearson responsible. There is no "Absolute Sound" out of a stereo system, only a rough approximation limited by - in addition to the character of the system - the room and the recordings. In the end, there is only an illusion that is convincing (to one extent or another) in one way or another.
Just MHO.
Marty
The funny thing is that I find the opposite of Juan - many high end systems have too much bass. (For the record, so does many an Aiwa Boom Box.) A lot of speaker systems substitute quantity (of output) in the mid/upper bass for true deep bass extension.
On top of that, room interactions usually create a hump in the mid/upper bass that drives me nuts. You don't get this effect in a performance space, but listening rooms are almost always small enough to create this problem. It's why I moved to room corrected subwoofers. Since relatively few people correct for this (digital correction or hemholtz devices - like a bass buster), it's curious that Juan's issue is the opposite of mine.
Also curious - I, too, spend about an hour a day with a guitar (usually an acoutic archtop for jazz and western swing), so my reference is quite similar. It really points to the original question:
What % of us really knows sound?
The answer is that all of us are sensitive to something or another and many of us disagree as to what is "right". Personally, I hold Harry Pearson responsible. There is no "Absolute Sound" out of a stereo system, only a rough approximation limited by - in addition to the character of the system - the room and the recordings. In the end, there is only an illusion that is convincing (to one extent or another) in one way or another.
Just MHO.
Marty