Which DACs are known to be sweet/rich/relaxed?

System is nicely transparant and detailed, but tends to get bright and harsh with certain (rock) recordings and at higher volume levels.

Nudge the system towards a sweeter, richer, more relaxed presentation.

Proposed solution / first step
Upgrade to a (tube based) DAC, budget $25-40k.

Current chain

  • ROON Nucleus
  • Mola Mola Tambaqui
  • Gryphon Essence pre amp
  • Gryphon Essence monoblocks
  • Focal Stella Utopia EVO
  • Full loom of Triode Wire Labs cables
  • Dedicated power line straight into Puritan PSM156 mains filter
  • System resides in the living room with some diffusors but no absorption other than sofas, chairs, and some rugs.

On my radar
Lampizator Pacific (or Golden Gate 2 since I heard it's more "tube-like")
Aries Cerat Kassandra 2 Ref or Sig

— What other DACs should I consider?
— Do you think upgrading to another (tube based) DAC will achieve that sweeter, richer, more relaxed presentation?


@verdantaudio you said earlier:

Best upgrade from a Nucleus for people connected via USB is not to get a higher end single box server but to get a separate player renderer.

The reason you’re recommending the single-box Antipodes K50 is because internally it’s devided into two computers: one for Roon core server, one to play/render the music file.
Should I look at Pink Faun 2.16 (ultra) too?

Upgrading to a non-Roon Ready DAC comes with the additional cost of a separate player/renderer, or upgrade to 2-in-1 box like antipodes K50.

BTW, the Lampizator Pacific can be configured with a Roon Bridge (although I’m not 100% sure if that means the playing/rendering is taken away from the Nucleus and into the Pacific).

That is correct.  The Oladra or K50 have two computers in one box (with separate power supplies) along with an elite clock.  

My understanding is the Pink Faun Ultra is very, very good but their top performer is a "double ultra" which is $47K which is one Ultra as Server, one Ultra as Renderer.  With Pink Faun, it is all about the clocking and they have superior clocking to just about everyone.  I am considering adding Pink Faun as a brand but haven't personally demo'd it yet.  

I work with the North America importer for Aries Cerat and Pink Faun and I know they work well together. 

If the Lampi Pacific has a bridge available that is great.  I do not know how it compares to the others mentioned above.  I will say this.  I feel that Antipodes K50 player and clock outperforms the Weiss Player in the DAC 501/502.  It may be that that K50 (or Pink Faun, etc..) might outperform the network bridge in the Pacific.  



I still say the Trinnov Amethyst would be your best investment if you’re determined to spend $25K. You can create settings to your particular tastes for different types of music. It would do much more than wires or tube DACs or overblown servers.

The Tambaqui is a very neutral DAC and you are actually hearing the recording artifacts. Higher model Lampizator is not going to sugar coat a bad recordings, which most of the rock albums are. Those DACs will be more detailed and are supposed to bring more than life like images. You might be able to change the flavor by changing tubes.

I would suggest two things:

1. Try a Weiss 502 or 501. They have filters, like a vinyl emulation, which can tune the sound and the DAC is slightly on the warmer side which will favor rock music.

2. Change the Nucleus into something better. The Nucleus is not upto the snuff with the rest of your gear. If you are into Roon, try a Innous or a Lumin u1.