Who will survive? One last table til I die.


I want to buy a final turntable (call it 25 years worth of use until I can't hear or don't care). I want to be able to get parts and have it repaired for the next quarter century. I would also like the sound quality to be near the top or upgradable to near the top for that time period. I don't necessarily require that the manufacturer be solvent that long (the preferable situation), but otherwise the parts would have to be readily available and the design such that competent independent repair shops be able to fix it. I won't spend more than $10,000 and prefer (but don't require) an easy set up that doesn't need constant tweaking. I'm willing to pay for the proper stand and isolation needed over and above the initial cost.

I've got 9,000 LPs, and it doesn't make sense to start over replacing them with CD/SACDs (although I have decent digital equipment) even if I could find and afford replacements. Presently I have a CAT SL-1 III preamp and JL-2 amp, Wilson speakers, Sota Cosmos table, SME IV arm, and Koetsu/Lyra Clavis/AQ7000nsx cartridges.

Thanks in advance for your input. Steve
128x128suttlaw
Suttlaw,

For about $665 more than Micro ($3,400), you should really heard and consider the New Siltech G6 Avandole. It's by far the best and the quietest phono cable i have ever heard.

It's expensive for phono cable, but you are done.
Suttlaw,

First, you are forgiven for your multiple sins! Nice find for your one last analog rig.

RE: Airy2

Right now I can say it has a wide and deep soundstage, great imaging, incredible low level detail retrieval, good transients, good tone.
Your impressions exactly mirror ours. As our Airy2 broke in we moved from a back row seat to the front row, since HF extension, speed and detail kept improving. This change was fairly steady and predictable from about 5 hours until about 50 or so. It seemed pretty stable after that.

My bass and impact seem a little lacking, but I think that is cartridge setup and speaker positioning changeable, so...
Somewhat, but it is also somewhat the character of the Airy2. It will rarely be a rocker's cartridge, unless everything is set up perfectly, the stars are aligned and the drinks are aligned too.

The Airy2's dynamics are very affected by SRA and VTF. Higher end ZYX's are all sensitive in this way. Fortunately your sin-ful JMW allows easy height adjustment so start experimenting with that. Very small adjustments become audible once you're attuned (by very small I mean .01mm in arm height or less). Getting SRA just right puts maximum weight behind the frequency center of each note or sound, which increases the apparent dynamic impact and focus.

Optimal VTF in two systems I know of was between 1.88g and 1.93g. It needs a bit more downforce OOTB but that range seems about right after break in, depending on temperature. Too heavy and the life is squashed out. Too light and HFs start to go fuzzy. The VTF sweet zone is always very small.

Impedance loading is also very critical when running through trannies. You're not, so maybe it won't be as critical for you, I hope!

I haven't heard the Airy 3 yet (didn't know there was an Airy 3 and what are the differences?).
The Airy3 is brand new, MSRP isn't even published yet. Check out SORAsound's ads for details.

Compared to the Airy2, the Airy3 is more dynamic and detailed. After break-in, which takes at least 75 hours, it has virtually all the Airy2's "integration" or "wholeness", but with more body behind the instruments and air between them. Harmonics, decays and overtones are nicer too. It will probably sell for $500-700 more than the Airy2, and it will be worth it. A slight veil of control over bass and dynamics are the only bad things anyone has ever said about the Airy2 AFAIK. The Airy3 corrects that.
RE:
>>>"A slight veil of control over bass and dynamics are the only bad things anyone has ever said about the Airy2 AFAIK. The Airy3 corrects that."<<<

That would be very good news,indeed.
Airy 2's lack of bass tunefullness & articulation and reserved dynamics were a dissapointment after all the early praise and recommendations.
The issue seems to be longevity of the company and Linn and the others mentioned certainly qualify. Heresy from a brit, but I think the LP12 has lived on a deserved reputation for years. A number of UK suppliers outperform it now. Avid has been mentioned, a beautifully designed and engineered deck. The Michell Orbe and my own recommendation, the Origin Live Resolution, plus illustriuos arm. Again beautifully designed, well engineered and simple, so less to go wrong. It completely trounced my admittedly aged LP12 in all areas, detail, base retieval, soundstage. There is even a top of the line Sovereign deck I have not heard. The problem, they do'nt have a long track record, but so many of the best decks now seem to be from small, new companies, Teres fot example. But I would go for Origin Live myself