@tylermunns--There is so much I'm interested in; audio preservation and digital standards, film preservation and ephemera; I just finished helping out somebody at UCLA on the history of music for early TV; the law stuff gives me certain advantages only because I did a lot of historic due diligence on big music catalogs, early photography, ancient manuscripts, pulp magazines, film, etc. One area that fascinates is the taxonomies for AI-- aside from the legal issues of "ingestion."
The audio archivists are very much like audiophile historian/archeologists. I did a piece some years ago about visiting the Packard Campus in Culpeper, which is the intake facility of the Library of Congress. Those guys had dream jobs--we sat in with an engineer who was reconstructing the Les Paul overdubs made direct to disc (before Les had access to a tape machine). He'd cut a track on a homemade lathe, then play it back on a phonograph while playing an overdub on a fresh lacquer. This stuff was eventually released commercially as two songs, but the discs to make them filled 1/2 a library cart. The engineer was figuring out which disc came before another. Of course, they had all the cool toys, as well as a sort of museum of stuff from the beginning of recorded sound.
I guess this would complement what I did as a lawyer- but I stopped the actual practice of law, as such. (Still keep my license active in NY but what I would be doing is expert work or consulting, but not acting as a legal beagle as such). We'll see.....
Thanks for asking.