Why do Harbeth speakers have such a cult following

I had the 5's for a while and then went to the 40.1's. I thought they were excellent speakers but in my room you had to pull them out from the back wall a great deal to make them sound right. My room was just not suited for these speakers and even with accoustic treatments it was hard to get away from the boomy base.

Milpai. I can say no more.

-Many of us hope that a certain speaker builder overcomes his business model and is wildly successful

-Many of us also hope that threads with 666 plus posts are a thing of the past.

Anyone heard the 30.1 ?
How is the resolution and detail (say, compared to the SHL5s,
or just in general)? Thanks.

I've discovered through alot of listening, that Harbeths just sound very natural and involving with great dynamics and soundstage. In my case with an LFD integrated, I chose the C7ES3, but it could have been a 5 or another model too. They just sound right to me.

11-20-12: Rgs92
Anyone heard the 30.1 ?
How is the resolution and detail (say, compared to the SHL5s,
or just in general)? Thanks.

I can't compare to the SHL5's but I previously used the C7ES3 for over 2 and a half years and the C7ES2 for 4-5 years before that.
Detail resolution with the 30.1's is fantastic I think. Compared to the very good C7 I'm definitely noticing more fine musical detail. And this is true resolution, not the type that comes from frequency pushes in the loudspeaker's response. The 30.1's, like all Harbeths, are beautifully coherent.

Compared to the C7's the sound is richer in the tonal sense and more densely realistic, yet precise and very open. The top end is gorgeously airy and refined - ambiance reproduction is brilliant. These speakers really do sound amazing in their portrayal of real acoustic instruments.