Why Doesn't Contemporary Jazz Get Any Respect?


I am a huge fan of Peter White,Kirk Whalum,Dave Koz,Warren Hill,etc.I have never understood why this flavor of music gets no respect.Not only is it musically appealing,but in most cases its very well recorded.Any comparisons to old jazz(Miles Davis etc.) are ludicrous.Its like comparing apples and oranges.Can anyone shed some light on this?Any contemporary(smooth)Jazz out there?I would love to hear from you. Thanks John
krelldog
Thanks for pulling that one out of the hat Garfish. It brings back memories:~)
Onhwy61, makes some outstanding points that are undeniably true. (much as I hate to admit it). Melody lines are indeed what most people listen for, and remember, AND are attracted to.It also is true that the Count Basie variety of Jazz, that includes more melodious standards, and the like, as well as swing is mostly missing, in my preferred bebop genre. Yet, the imagination with bebop is limitless. You can listen to it and discover new perspectives as time goes by. Tunes without improvisational foundation, are also quite valuable, to our musical jazz heritage, but somewhat less interesting at a introspective level. My opinion only...........Frank
Boy, people are putting some good thought into this....good subject..and, mostly, thoughtful responses.

Something I noticed, that my Jazz trumpet playing son and I
discussed, is the over-use of reverb in current Jazz and Smooth-Jazz recordings. For Christmas he gave me an excellent CD by Terrence Blanchard with several lady singers..Diana Krall, Cassandra Wilson..etc,. and after listening to it several times I was trying to understand why it is a good an not great CD. The answer...such a great trumpet player..with a world-class Monet trumpet..with state-of-the-current-art singers..and they have put so much reverb onto his trumpet playing as to mock it!

In listening to a local smooth Jazz station..it seems that almost all of the music is so over-processed and over-reverbed that it takes away from the skills/talent of the artists.

Any thoughts from the rest of you?
Once Chuck Berry asked Keith Richards when they were together in the studio for a joint project:
-- Men, you've got a hell of a skill -- why don't you play jazz?
-- There is no money in there he..he...
Marakanetz: Keith Richards is a great R&R rhythm player but he ain't Joe Pass and could not make it two measures into a typical jazz score (whole notes aside). All due respect to Chuck Berry. I think Chuck was trying to rub up a little. I once heard Richards say that he made more money off Muddy Waters than any man on earth and I tend to agree. More power to him.

Sincerely, I remain