Why the fascination with subwoofers?


I have noticed many posts with questions about adding subwoofers to an audio system. Why the fascination with subwoofers? I guess I understand why any audiophile would want to hear more tight bass in their audio system, but why add a subwoofer to an existing audio system when they don’t always perform well, are costly, and are difficult to integrate with the many varied speakers offered. Additionally, why wouldn’t any audiophile first choose a speaker with a well designed bass driver designed, engineered and BUILT INTO that same cabinet? If anyone’s speakers were not giving enough tight bass, why wouldn’t that person sell those speakers and buy a pair that does have tight bass?
128x128Ag insider logo xs@2x2psyop
Dear @millercarbon and friends: You are rigth about that full range speakers down to 20hz not only are expensive but don't realy gives the " rigth " low bass not only to 20hz but almost does nothing for below 20hz frequencies that exist in the recordings.

The first problem with those " 20hz " speakers is that are working through electronics ( amps ) that was not designed to fulfill the specific needs of those speaker woofers , there is no " total control " down there with universal amps and if those amps are tube electronics the problem is worst.

Other problem is the frequency response that those woofers handled by design, normally goes to 150hz to even 350 hz depends the overall speaker design.
When the recording signal ask to reproduce a 20hz frequency those woofers at the same time must be reproducing other way higher frequencies/harmonics making the the IMD goes really high making a damages to all the system frequency response at the seat/listen position.

In my point of view and along the other disadvantages that others of you already posted " against " full range speakers in reality is a big mistake to invest on it.

Even those full range speakers can be up-graded with a pair of self powered sealed subs working in true stereo fashion where the full range speakers will be working as a satellite part of the room/speaker system.

I agree with @noble100  that low bass is a separate music reproduction signal and mid range/highs an independent signal reproduction system.

I already posted in other thread the next link that's a scientific papers made it by Harman International where they stated all what we need to learn about the use of subwoofers in general and for home systems:


https://pdfs.semanticscholar.org/00da/51387c572cfd27c0256cb15e44e976a1a72e.pdf

coming from that link we can read:


"  Four subwoofer at the wall midpoints (configuration 11) was the best practical configuration in terms of MSV. Two subwoofers at opposing wall midpoints (configuration 6) was nearly as good and also offered stronger low-frequency support. Configurations with more than four subwoofers were not found to be advantageous, especially when cost is factored in. These results appear to be generalizable to reasonably dimensioned rectangular spaces [19] . ""


They are not talking about wired stereo or mono.

So at our seat position normally two subs are enough and I'm for sealed subs designs against open/reflex ones that gives some problems on way up resonance frequencies. If you takes the Wilson Alexandria or MAXX 3 bot that goes to 20hz have that problem and both are reflex designs.


I can't remember who speaks in the thread about the integration of very fast ribbob/electrostatic speakers with " slow " subwoofers and here an explanation about that tells us does not really exist that " slow " bass subs response other that the one coming from each instruments:


http://www.soundstagenetwork.com/maxdb/maxdb061999.htm


The other subwoofers " main approach " to even or disappears standing waves in the room in reallity are not the main targets for add a pair of subs but to put at minimum the overall speaker system IMD kind of distortion as I already talked here:

https://forum.audiogon.com/discussions/do-you-think-you-need-a-subwoofer/post?postid=310058#310058

the other main target is that the low bass system " management " if we do " perfectly " always we will have a way better whole room/system frequency response due that are the low bass range and its developed harmonics whom tame and put the overall signature at the mid range and high frequency range.
The low bass range is the frame of what we are listening at our seat position.

So as better room/speaker system low bass range as better quality whole room/system levels.

As a " side " advantages adding subs gives better low bass quality, deeper low bass, tigther bass response ( less overhang. ). When I said deeper low bas I'm not saying down to 20hz only but even lower that that where belive it or not exist more information that what we could think.

In other thread I said the importance that the subs it self can comes with a truly low THD at 20hz and 100db SPL, mines around 0.5%. One gentleman there tolds that is not important if the response is evenly in the low bass but I think that we can have evenly bass response with low THD and evenly bass response with higher THD. Maybe I'm wrong but if I was any one of you I always will look for a low THD for my susbs: this is a good place tostart along sealed kind of design.


Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
I bought the Focal Sopra No 1’s knowing they would be light in the bass region.  Just picked up a pair of JL Audio F112 suns with custom floor stands.  Wow!  I had an old Definitive Technology sub before but having two subs of much higher quality makes a huge difference.
@atmasphere 

I'd give it a shot. I don't use the Swarm but if I had it to do over that's the route I'd likely take. Duke is working on a sub system for me though- one that is integrated into a coffee table. It will be used to break up the standing wave in my room.

Interestingly, my additional two subs would go disguised as coffee tables as well. 

Ok, so you don't use swarm, but I take you are replicating the concept: distributed bass array playing a mono signal. Is the goal to minimize SPL variations at different seating locations? Or to optimize at the prime seat?
How did you determined you needed to break down a standing wave?

Regards
Ok, so you don't use swarm, but I take you are replicating the concept: distributed bass array playing a mono signal. Is the goal to minimize SPL variations at different seating locations? Or to optimize at the prime seat?
How did you determined you needed to break down a standing wave?
The goal is uniform bass response in a greater portion of the room including the listening positions. I've done lots of setups over the decades as I've been doing audio shows since the late 1980s; so the answer to your third question is 'experience'. Standing waves are a common problem in a lot of rooms. One time we used an Accuphase room correction device but quickly learned that it can't do anything about a standing wave. If one is present, you can put as much power into it as you like and at the null point the bass still won't be right.

So the elegant approach is to use a distributed bass array system like the Swarm, which is the best example out there.
Do you have to play a mono (i.e., summed) signal from all the subs or would there be value to trying the front subs in stereo and the rear subs or one rear sub in mono to better deal with standing waves?