wnat to downgrade my cables

You can get a sonically good cable for less money but you still have to audition them in your system. Try some of the smaller more creative companies like Pure Note, RS, Bogdan, etc.

Most of SETs will sound less bass than push and pulls you already own. However, people will sacrifice bass with more transparent, fuller sound of the SETs. SETs are not for everyone. The Jadis 300B amps can sound really great but sinking $6000 to $7000 in used gear is not a great investment. The other times I have audition Sun Audio 2A3 SETs with JBL horn systems which is also quite impressive. For this SET 2a3 amp, large efficient speakers required.

Back to your system, a better speaker cables and preamp to amp ICs definitely can help in the bass dept. To what degree I really don't know. Also, a solid stand can also help in the bass dept. I'm using Target R4s for my monitor speakers on carpet floor and it was not giving enough defined bass until I modified the stand with addition of solid aluminium blocks underneath the stand. A good separation from the floor can also improve the bass.
Keep it closer to backwall can also improve the bass.
Yes, Ernie, I've already done enough home work on cables and in terms of time and $$$ spend and DIYs. The star-quad version is not a refined cable but it is better than some monster & kimber cables.

Again, this is just MHO from real life experience ( not some threads I read ), your own tweaking is required.

I moved to the Discovery NOS that Joe is selling. I love this cable. I just ordered 2 more.

Chang, You're all over the place, so it's hard to follow you. Try decaf.... I never mentioned power cords (The Volex IS low-performance) nor that the Canare star-quad are MY cables. It's just that the Canare StarQuads are purchased by the MILE for serious PRO recording use. I just ran 40 ft XLR pairs from Earthwork omnis on my Steinway B to an Alesis Masterlink, through my Aleph P/Aleph2/Parsifal Encores system (in the same room), all set up by the head prof of recording engineering at Berklee College of Music, and we both agreed that in some ways (lack of room splatter), the recorded sound betters the live!
It was an interesting decision when hooking the Masterlink into the Aleph P: does one continue with 1m of the Canare again ($20), or do a brain-side Pro-to-audiophool switch and go to the Nordost SPM I use throughout the playback end ?! Ha! Much more important to practice the piano....
So let's just help this thread-head out. He should start with a good, cheap well-referenced set of ICs, then play from there if necessary. Yes, speaker placement/treatment tweaks are almost always more important that cables, but let's keep this on topic, eh?
My favorites are the Harm Tech Truthlink for warmth, Nordost Blue Heaven for zip on budget, or SPM, but I always have buddies start with Canares to establish the system in the room in a fine, neutral way. Only if the room is overdamped, they're suffering from too much hearing loss, or the front end is SUPERB do we then trot out the lucid Nordosts.

I liked the Discovery Essence a lot, but couldn't really tell it from my previous Red Dawn...both a bit too lean. SPM solved the balance problem. Again, pricier flavorings....