How close to the real thing?


Recently a friend of mine heard a Chopin concert in a Baptist church. I had told him that I had gone out to RMAF this year and heard some of the latest gear. His comment was that he thinks the best audio systems are only about 5% close to the real thing, especially the sound of a piano, though he admitted he hasn't heard the best of the latest equipment.

That got me thinking as I have been going to the BSO a lot this fall and comparing the sound of my system to live orchestral music. It's hard to put a hard percentage on this kind of thing, but I think the best systems capture a lot more than just 5% of the sound of live music.

What do you think? Are we making progress and how close are we?
peterayer
Do Ayre and Pass use zero feedback desings in their amps? I only know they sound really good.
Hi Kirkus, I just pressed on your system and I'm so happy I did. How very cool! To saner times...
Hi Kirkus, that was not what I recalled so I looked up the Ampex schematic... Its not the record head that has feedback- prior to that the record calibration circuit does use a feedback mechanism. The rest of the circuit has none.

I did think about the playback after posting :/

Of course LP lathes do use feedback, primarily used to control resonance. You can't get channel separation in a Westerex 3D, for example, if you don't use feedback. However there is work being done to this day to try and find a way around that. Apparently feedback is not popular with mastering engineers and for good reason: if the electronics even turn on in the wrong order at power-up, the cutting head can be destroyed.

I have a set of Western Electric mic preamps that are zero feedback. I pulled them out of a dumpster about 30 years ago and boy am I glad I did. They are really transparent, after being updated with Jensen transformers and otherwise rebuilt.