Talk but not walk?


Hi Guys

This isn't meant to start a fight, but it is important to on lookers. As a qualifier, I have my own audio forum where we report on audio issues as we empirically test them. It helps us short cut on theories and developing methods of listening. We have a wide range of systems and they are all over the world adding their experiences to the mix. Some are engineers, some are artist and others are audiophiles both new and old. One question I am almost always asked while I am visiting other forums, from some of my members and also members of the forum I am visiting is, why do so many HEA hobbyist talk theory without any, or very limited, empirical testing or experience?

I have been around empirical testing labs since I was a kid, and one thing that is certain is, you can always tell if someone is talking without walking. Right now on this forum there are easily 20 threads going on where folks are talking theory and there is absolutely no doubt to any of us who have actually done the testing needed, that the guy talking has never done the actual empirical testing themselves. I've seen this happen with HEA reviewers and designers and a ton of hobbyist. My question is this, why?

You would think that this hobby would be about listening and experience, so why are there so many myths created and why, in this hobby in particular, do people claim they know something without ever experimenting or being part of a team of empirical science folks. It's not that hard to setup a real empirical testing ground, so why don't we see this happen?

I'm not asking for peoples credentials, and I'm not asking to be trolled, I'm simply asking why talk and not walk? In many ways HEA is on pause while the rest of audio innovation is moving forward. I'm also not asking you guys to defend HEA, we've all heard it been there done it. What I'm asking is a very simple question in a hobby that is suppose to be based on "doing", why fake it?

thanks, be polite

Michael Green

www.michaelgreenaudio.net


128x128michaelgreenaudio
Gee whiz, guys. It was a joke. Lighten up! It’s onky a hobby. 🤡
Michael Green,

With some delay, I looked at that thread on Tuneland that was mentioned by jf47t and I am glad I did.

It shows your perspective for some of the things and I could agree with some of them. More places to actually listen in is a big missing piece in whole story and, unfortunately, you have not been successful at promoting it (according to your writing). Too bad. Instead of that, we are now left with reading reviews and buying equipment (tuning blocks are also equipment for this purpose) we have never heard properly or maybe even seen outside of the computer monitor. I wish you succeeded.

You did put a definition of an audiophile and elaborated on some of those aspects, but missed to emphasize the difference between "audiophile" and her/his related field (audiophilia?) and HEA (High End Audio). It does read as if audiophiles are somehow lower class than those leaning towards HEA. What would be a definition of HEA? No, I am not trying to "troll" you. It seems that difference is significant in your view, while I thought those would be at least overlapping, if not mostly synonyms.


Regardless of what HEA is, mention of the "cult" in this thread had nothing to do with HEA itself. It was clearly referring to participants’ views of Tuneland forum style. Nothing about music reproduction. Nothing at all. Nothing even about audiophiles or HEA. Just the view of the Tuneland dynamics. Right or wrong.


It is great that you posted all those pictures. Finally. I know, someone will ask for addresses, etc. but for less picky it was great. It brought some idea of what is being done. Well, it also answers the question why there is no wider acceptance of it. No matter how good it sounds, it looks practically unlivable with. Some may do it, but most will have to pass just on the basis of that. Not everyone is retired (surprise!!!) and some have children or pets who are not compatible with that kind of equipment. Their loss, we could say. Would putting some inert material around those exposed electrical parts be really detrimental to the sound? If you could work on that, it would broaden the reach.

I will skip commenting on many of the sentences from the post at around 3 am (June 18). I am only afraid that prof, when he comes back from his vacation, may have a heart attack. Which brings me to another piece.

You state...

The trolls on that forum even went as far as to warn readers not to come check out TuneLand …….So why is it they didn’t want readers to visit here? The answer to that one is simple. They don’t want people to come here, because here is where we "walk" the hobby.
where I happen to be the only one who recommended that Audiogon crowd does not go to Tuneland and forums stay separated and therefore I am the "troll" referenced in your post. You did pick some of my words, changed them a bit, omitted my explanation, and presented your adjusted opinion as firm truth. Had you not done all of that, you could have put me as a spiritual co-author of your sentence in which you explain why two forums are better left separated...

I don’t want to be as personally involved or bring that bad karma over to the pages of TuneLand from any place that might be wanting to sow bad seeds.
I will give you a credit, but you should remember where you read it first and decide if following "troll’s" thoughts makes one a "troll".

Speaking of "trolls", you use that word to an extent that dilutes anything you are trying to convey. It is not the case "if you repeat it enough, it will become the truth". It sticks out like a sore thumb and appears like desperate whining. Don’t do it.

By the way, I am not sure if a person can "troll" her/himself, but according to description of "troll" you provided on Tuneland, you would have qualified on this thread on more than one occasion. It is easy to do it, the definition is too broad.

Goodnight and Happy Trolling everyone!

Hi Tom

As Michael Green has provided pictures of the use of Springs, Cones and Wood please have Starsound provide the same so that we know you are not just talking. Thank you!

Geoff, You are a "walker." I think that having discovered the beneficial effects of Mpingo discs, you would make some up in maple, spruce, Brazillian rosewood, etc. in different sizes and shapes. Why would ebony discs be the only wooden objects to have a beneficial effect on sound? The tuning possibilities are endless, or maybe not. Isn’t your curiosity piqued? 
Michael Green,

There is a picture of four men on Tuneland (this latest thread you have there) in which a taller one has sunglasses and one wears a vest. I am mentioning it just to identify the picture. Are those guys anyone we know from this thread? Just trying to put a picture together with words.


Also, there is a picture or two on which electronic equipment with silver faceplates, looks like an amplifier and maybe a CD player (resembles Audio Research design, but not clear from the picture) seems to have all the covers in place. Is that correct? Pictures are a little blurry and items relatively far. Other equipment seems to have covers removed. Is there any story behind it? Why did you decide to leave these particular covers on? Or did I see it incorrectly, which is about 50% likely?