Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
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***** But "No soul, no jazz"?  I just don't understand that.*****


He should have said, "No Blues, No Jazz, Know Blues, know Jazz"

One of those pesky things called facts.

Cheers

Pryso, I agree with every word you wrote. A different style does not have to mean lacking emotion or “soul”. I hope my comparison of Brubeck’s piano style to Dr. John’s did not imply that. I also agree with your comment about why the bias against Brubeck may exist. As you point out, Brubeck was an extraordinarily well rounded musician with training and vast experience in several musical disciplines. Interestingly, the bias against that kind of background has been demonstrated here quite regualrly. Glad to see that, at least for some, that attitude is changing. Still, as always, the contradictions abound.

Personally, I don’t believe that for music to have “soul” it has to be drenched in “blue notes” or have a certain feel. Soul is an expression of......what else?.....one’s soul; and one’s musical soul is determined by one’s background and life experience no matter the ethnic history. The black experience is not the only one that has “soul”. Try telling a great Japanese shakuhachi player that he has no soul; or a great Russian orchestra that they don’t play with soul. As far as what it takes to qualify for being called “jazz”? Well, no point in going there for the 100th time. So limiting. And to what end? Is it good music or not...that’s all.

https://www.scientificamerican.com/article/uncommon-time-dave-brubeck/


*****Pryso, I agree with every word you wrote.*****


Surprise, Surprise!!

Gomer Pyle, USMC

Cheers

Anyone, of average intelligence, and who is the least bit observant, and who has lived in this country for a few years, will be aware of the low intensity 'cultural war' in progress.


Brubeck, willingly / wittingly, or not, was a part of that war.

Cheers