Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Coltrane's "Spiritual" caught my eye, and I was wandering when that was recorded in relation to the time I saw him live in the Winter of 63.

"Spiritual" was Recorded November 2–3, 1961 at the Village Vanguard, in New York according to one bit of information, and 10/22/1963 according to another bit; maybe both are correct.

I would like to contrast these two numbers; "Spiritual", and "My Favorite Things" when I saw him in January or February of 63.


    https://www.youtube.com/watch?v=rkY_zTKzPCY


"My Favorite Things" was on display when I saw him;


    https://www.youtube.com/watch?v=qWG2dsXV5HI


     
John Coltrane:

'Spiritual' shows why this man was so great.   He was a complete master of the Tenor Saxophone.   If he could think it, he could play it.
Remember in Nica's book, several guys 'wished' they could play what was in their heads?   John Coltrane could.

Favorite Things:  I think McCoy should get at least equal credit for this tune.   His piano playing sort of took over the tune.   Both great, of course.

Nice clips.

Cheers

Rok, more and more do you display the intense listening of a true jazz aficionado; I saw that live, and not until you mentioned it just now, did I realize the weight of McCoy Tyners piano on this tune. He generates the "essence" of "My Favorite Things" as it was originally written; his piano is most certainly part of the soul of the tune; that's the part which must be captured no matter who plays it.


      https://www.youtube.com/watch?v=qWG2dsXV5HI


Tyner's piano provides the introduction, and from 2.21 to 7.05 his piano dominates the tune, after which JC takes over. That could explain why at the live performance I saw, the tune was more than 20 minutes long, because Trane went on and on; that really made the musicians happy. Kenny Rice, a professional drummer was sitting at our table, and he was in another world as Trane went on and on; mere enthusiasts such as myself were wandering (where is this train going and when is it going to stop) Somewhere else I stated exactly how long it was, that must have been much more than 20 minutes. BTW, every professional jazz musician in St. Louis was there, without their girlfriends.

Fact; me and my date were saying "enough already", it was just that long; but the musicians were ecstatic, they could have listened to this foray into the 7th galaxy all night long.

Trane had lost Tyner and Jones on his excursion into the outer limits; Tyner looked at Jones, as if to say, "We'll just hang together until the boss gets back".

Although not recorded, this was quite common at the live performances.




Diane Schuur/“The Man I Love”:

The band (orchestra) sounds professional enough and I don’t think there is anything particularly “wrong” with it except that the playing sounds somewhat hesitant and cautious.  The reason for this is what IS wrong: classic example of of an overdone arrangement; too much going all the time.  Not enough space.  And the arranger (Clare Fischer) is trying too hard to be “hip” by using way too much dissonance in the chord voicings.  The result of this is that the players don’t feel as committed to what is on the page as they would be playing an arrangement that is more “inside” the harmony of the song.  Dissonance can be very effective, but dissonant notes need to be played with conviction otherwise they sound like wrong notes.  Worse still is that excessive use of dissonance obscures the tonal center of the harmony of the song and this makes it much more difficult for the singer to sing in tune.  Schuur is a great singer, but on this her singing sounds a little “pitchy”; a little flat at times.

I don’t like the arrangement for this very romantic song at all.  Dissonance and romance don’t work well together.

Once upon a time, there was a lady who wished me love, her name was Gloria Lynne;


            https://www.youtube.com/watch?v=8Tgh5BOTCuM


In that same general time, there was another lady who sang the best "Misty" I've ever heard.


          https://www.youtube.com/watch?v=1INhj10CiCE


I play a lot of both of these ladies late at night; they give me the sweetest dreams.