The very best sound: Direct to Disc


Since I got a new cartridge (Clear Audio Virtuoso) i’ve rediscovered the Sheffield and RR Direct Disc albums in my collection.  
Wow! they put everything else to shame.  I picked up about twenty Sheffield D2D’s when Tower Records went out of business for a song (no pun intended.) I’m just now listening to them and find there’s nothing that sonically compares.  They’re just more real sounding than anything else.  Not spectacular but realistic.   
128x128rvpiano
Dear @rvpiano and friends : I own both versions opf the Sheffield " Discovered again " . The D2D and the one from the recorded tape.

With this LP samples you can be perfectly aware of the high degradation that the recording signal suffers when the information goes/pass through the recording R2R machines.
Differences are not small ones but higher that any one of us could think.

Unfortunatelly for LP manufacturers and musicians the D2D alternative is no more an alternative and as a fact never was. To much stress everywhere with no chance of editing or record a take 2 . Everything in D2D is as in a live evnt: we can change nothing and the errors down there stays there for ever but with out doubt is the best way to make LP shines if the D2D recordings were made by truly good engineers.
As I said before there are many D2D recordings that are bad recordings but not because the " media " but something wrong with the engineering down there during the recording process.

Between other things digital has the advantage that the recording machines does not affects the digital signal because the signal are only 0 and 1 and be readed as 0 and 1. No degradation to the signal.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

I have several of the Sheffield Labs - love them - Lincoln and Amanda on Hollywood Town with The Rose - love her version of it and did not know she wrote that; a Mozart violin concerto; Dave Grusin mentioned by others; Marni Nixon - she had an incredible voice; Harry James. Also one M&K and a RR and a Crystal Clear with Charlie Byrd. 

One of my all time favorites is a D2D pressed on Umbrella label of Rob McConnell and the Boss Brass. If you can find it, then grab it. Sound is incredible on all 4 sides. My go-to discs to show off my system. Its Big Band music and yes, it sounds like you are in the studio with the band.  It sounded great on my SS system and sounds way better with tubes - fuller, wider soundstage, I can hear all the saxes, trumpets, trombones, bass, guitar, drums... Just WOW.

Also have the 45 RPM versions of The Doors and Miles Davis Prestige box set. If you like those two artists, they are well worth the price. Again, its like you are in the studio. Not as good as D2D, but still very very realistic. 
I'm glad someone remembered Umbrella.  The recordings with the Toronto Chamber Orchestra are some of the best recordings I've heard, from both a sonic and musical perspective.  

I'm familiar with those Sheffield D2D's but never heard one.

Anyone have any of the late 70's Angel 45 Sonic Series? 
If you have BOTH, how do they compare sonically? Are the 45's anywhere near the quality of the Sheffield's?

I have several of these 45 rpm albums of some classics:
Holst-The Planets
Gershwin-Rhapsody in Blue
Ravel-Bolero
Ketelby-In a Monastery Garden 

These LP's are pretty impressive. Probably even more on a very good system. Every time I have Bolero spinning at 45 RPM, I can see Bo jogging in slow motion towards me.
I have a few discs  of the Angel 45 Sonic Series,  including the Ketelby.  Also, Rachmaninoff’s 2nd Symphony with Previn conducting and a few others.
On my system, it’s no contest; the direct discs are much better.