How much reality do you really need?


The real question to the audiophile  is, “how much reality do you need” to enjoy your system? Does it have to be close to an exact match?  How close before your satisfied?  Pursuing that ideal seems to be the ultimate goal of the audiophile.
The element of your imagination has to come into the equation, or you’ll drive yourself mad.  You have to fill in part of the experience with your mind.
But this explains the phenomenon of “upgraditis.”
128x128rvpiano
But my question is how much does that search distract from or even destroy your enjoyment of the music?
I would say it used to somewhat but since I've been reading more about the problem I know it's never possible to recreate the sound of a live performance or even a studio mix in your home all you can do is try to recreate what's on the recorded media to sound as good to yourself as possible whether LP, CD, Tape or file. 
Mijostyn,

Dysfunctional — “A failure to function in an expected or complete manner. Usually refers to a disorder in a bodily organ (e.g. erectile dysfunction), a mental disorder, or the improper behavior of a social group.”

Is this what you mean?
All I'm looking for is an emotional connection to the music and to understand where the composer/artist/performer etc. wants to take me and/or what they want me to feel or think about.

And it doesn't take a ne plus ultra system to do that.  In fact, most of the ultra high end systems I've heard had me concentrating more on the sound of the system than the music being played.  Maybe that would change over time and familiarity, but I'll never know because I'm unwilling to spend the kind of money it would take to get to that point.

At this point, my system does what I want.  I'm going to be changing a few things in the near future that will hopefully increase my enjoyment of my music collection.
@mijostyn  Your post presupposes that reality exists autonomously, independent of everyone's apprehension of it.  I'll leave that one to @hilde45 to resolve.

But in the case of recorded music, we're talking about three discrete realities: the music that was made and recorded; the recording (tape, digital file, whatever); and the actualization of the recording in the home environment.  How can the reality be the same for everyone?
noun
  1. 1. the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.
A definition of Art.
”appreciated primarily for their beauty and emotional power”
Does this not define the enjoyment of our electronic recreation of music? Reality is not at issue. Appreciation is.