Turntable upgrade recommendations: SME vs AMG vs Technics vs other


I've recently upgraded most of my system, but I still have a Rega P8, with Linn Krystal cartridge, which I like, but I've heard that there may be better options.

I have Sound Lab electrostatic speakers, Ypsilon Hyperior amplifiers, an Ypsilon PST-100 Mk2 pre-amplifier, and am thinking about an Ypsilon phono stage to match with my system, and a turntable/cartridge.  I listen to almost entirely classical, acoustic music. 

Based on my very limited knowledge, and simple research, I've been looking at three brands, each of which is a different type of turntable: SME (suspension), AMG (mass), and Technics (direct drive).  
What are the advantages and disadvantages of the different types of turntables, and of those in particular?

Thanks.   

drbond

How many cartridges over $7500 can possibly be sold every year? And so many manufacturers, some who only make cartridges.

 

Lyra, Koetsu, Ortofon, van den Hul, Soundsmith, My Sonic Lab, Clear Audio, Dynavector, and even Grado are brands I've heard of that have cartridges >$7500. Are all these marketing/halo effect offerings are they actually readily available?

Also....a $70K phono stages I saw mentioned? How many of those have EVER been sold? What are these things made out of?

 

Dear @edgewear  : "" Comparing new and vintage cartridges in my own system over the years has confirmed the impression that no major sonic breakthroughs have been accomplished over the last 30-40 years of cartridge design. Not by Ortofon and not by others. But I’ll admit, prices did go through the roof. ""

 

I totally agree with you and is what I posted several times here and in other forums. Price gone well not gone but runned as a Ferrari Enzo in cartridges with out a true palpable benefit.

 

I never had the opportunity to listen the Xquisite cartridge but perhaps is the only cartridge through the years with a NEW design characteristic:

 

 

 

R.

I think Soundsmith, for one, has been quite innovative with the Strain Gauge and the Hyperion, plus improvements like DEMS (Dynamic Energy Management System) across cartridge lines.

@sokogear

To answer your question about how many people buy $10k cartridges and $70k phono stages: probably alot more than either you or I think, or could imagine. Many of these high end manufacturers are based in Switzerland, probably for a reason: lots of money from all over the world to buy their products, and the $70k FM223 phono linearizer (phono stage) has a 2-3 month wait list. Look at the new cars these days: $200k cars selling for $350 because the manufacturer can only make 1000 a year (e.g. Porsche GT3), and that’s not even touching Lamborghini, Ferrari, Bugatti, et al.  In other markets, look at Rolex watches:  a $12k Rolex new is selling for $40k used.  In that market, a $70k phono linearizer could seem like a bargain!

@drbond - wow….a waiting list for a $70K phono stage. I wonder how many they actually make and how many people are on the waiting list. Also, with this kind of money being thrown around, I hope they are maximizing their listening room, which is as (or more) important as their components.

I heard that the winning system at an audio show had a van den Hul cartridge and phono stage that were around $20K total, as part of a $400K system that beat systems costing over a million dollars.

Perhaps these Swiss marketed components are not reviewed because they can’t possibly be seen as a good buy. Maybe the best sounding but only meant for those spending for what for them is Monopoly money.

it must be nice…..but I don’t think I would ever spend that much regardless of whether or not I could afford it as comfortably as what I spent on my system. I would figure out a better use for the $$$ ithrough a charity or relative.

I wonder if that makes me a cheapskate as @lewm says he is. Most people think my music hobby is extravagant.