I've had the hankering for getting a new DAC, and noticed that the RME ADI-2 DAC has lots of cool features, among them being 5-bands of parametric EQ. Right now I'm using a studio equalizer only for vinyl playback, but having digital EQ right there in the DAC seems like a great way to go! It goes for $1300. I'm still deciding on it.
Equalizer in a Hi Fi system
Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings.
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@mirolab , how close are the programmers at Plugin Alliance getting these classic emulations to sound in comparison to their original analog hardware counterparts? I listened to a YouTube video comparing the SPL PQ, plug-in vs hardware version on my HEKse. I honestly couldn’t tell a difference. Are plug-ins that good now across the board? |
I have a home studio... not a fully decked out commercial studio. My best AD/DA converters are on my Lynx Hilo... a $2500 box for 2-channel converters. As good as they are for the money, I can still hear a generation loss if I send a full mix out of the box, and back in. So if I use analog gear, it's going to be to do something drastic or fantastic to the audio, in a creative way. I do 95% of my mixing and mastering In-The-Box. (ie. the computer) For pleasure listening... yeah there's still no substitute for the analog EQ, both for the sound, and the speed, and fun of it. For mastering tho... I need the precision and instant recall of digital plugins. I've tried mastering through my analog gear, and as good as it is, I have more control, and get better results through my various plugins. |
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