Ugliest Component of the Year 2024!

I have another anatomically suggestive speaker system for you to consider.  It is the Western Electric 16A horn from the 1920's.  I know someone who owns two of these beasts.  Although it has two drivers, it is a single midrange horn.  I've heard them run full range with Western Electric 555 fieldcoil drivers and also YL compression drivers.  The setups I heard did not employ any woofers.   Being a midrange horn, and given that the drivers were also meant to only operate in the midrange, it was shocking how much bass this horn delivers (goes down to somewhere around 70 hz).  A bullet tweeter crossed in at around 15 khz.  Whether it is ugly or beautiful is really hard to say.  It is like what someone said about Nat King Cole--I don't know if he is the handsomest or ugliest man.

https://we16ahorn.blogspot.com/

@larryi

Those are some horns…Personally, I wouldn’t care to own them but I believe some people pride themselves in owning something rare as this regardless of its appearance. They may sound phenomenal but for me, striking a balance between form, function, and how a piece integrates into its surroundings is an important aspect of ownership. It’s about creating harmony in the space as well as in the sound, which makes the experience even more enjoyable.

Really anything from these folks:

https://www.metaxas.com/product-page/product-page-audio-2/product-page-audio.html

The headphone amp is particularly fetching.

The person who owns these horns cares ONLY about the sound.  He puts together custom systems that are much more practical than ones with that giant horn.  That horn was meant to be used in theaters where it was hidden behind screens or curtains so looks were totally irrelevant.  The sound is a great example of how one can engineer something that works despite what would otherwise be considered a major flaw.  If you suddenly stop the music, you will hear a very long echoing decay of the music, which means that the horn is ringing like crazy.  But, it rings over a broad range of frequencies so that the decay sounds utterly natural and there is no sense of the music being muddled or tonally altered by this ringing.  Once I heard that ringing, I found it hard to accept, in my mind, that this was not a BIG problem.  But, the more I listened, the more I came to realize that it was not a problem and that this horn is fantastic.  It is very impractical, requires at least four, and up to eight very expensive midrange compression drivers for a stereo pair, but it IS something one should hear if one has the chance.  It is on display and plays in the museum dedicated to vintage gear in Seoul, South Korea.

Not sure I would turn the lights off with those amplifiers in the house.