Manage expectations.
Be realistic.
Think about how you and your system will integrate with the room and acoustics. Get all that tuned in and optimized first before doing anything else.
For example if your room is more like a club than a symphony hall (as is the case for most of us) don't expect a recording of Mahler's 4th to sound like it did when you heard it live.
IF its a studio recording, realize the best you can do is reproduce what the producers intended. It doesn't matter what you think it should sound like. It is what it is, so accept that.
Be realistic.
Think about how you and your system will integrate with the room and acoustics. Get all that tuned in and optimized first before doing anything else.
For example if your room is more like a club than a symphony hall (as is the case for most of us) don't expect a recording of Mahler's 4th to sound like it did when you heard it live.
IF its a studio recording, realize the best you can do is reproduce what the producers intended. It doesn't matter what you think it should sound like. It is what it is, so accept that.