702, its interesting what you say about not being able to hear simultaneously. I have not been unsuccessful in discerning between different amps or wire in rudimentary blind testing, ( no scientific aspirations here in this case) what I needed however, were longer stretches of music (female sopranos, solo violins, solo cello for voicing or big orchestral renderings for width and depth of soundstage and layering or certain string quartets for resolution and speed). In listening, I would pinpoint aural clues for myself at specific points of the score. Once I had this, it was fairly easy to differentiate between various DUTs. What I needed was familiar music, scores which I knew inside out and preferably also had heard already live.
Speaker wire is it science or psychology
I have had the pleasure of working with several audio design engineers. Audio has been both a hobby and occupation for them. I know the engineer that taught Bob Carver how a transistor works. He keeps a file on silly HiFi fads. He like my other friends considers exotic speaker wire to be non-sense. What do you think? Does anyone have any nummeric or even theoretical information that defends the position that speaker wires sound different? I'm talking real science not just saying buzz words like dialectric, skin effect capacitance or inductance.
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- 150 posts total
- 150 posts total