I agree with Manitunc. I will also add that there are certainly bad reviews quite regularly, at least in Stereophile. A while ago Fremer reviewed a Boulder amp, and he trashed it sending the company's reps into a frenzy over the review. There was a bad Totem Forrest speaker review that nearly gave the designer a heart attack. There was a pretty bad class D amp review a few months ago. Fremer regularly criticizes high priced cartridges or analog equipment that he thinks should be less expensive based on performance. These are just a few off the top of my head.
Also, in the latest issue of Stereophile (April 2013), Art Dudley sheds some interesting light on the reviewing policies and interaction between reviewers and manufacturers. It's perhaps more of a rant, but it does describe what's going on behind the "closed doors" so to speak, and probably answers some of the questions and claims raised in this thread. I recommend it.
In the end, to me a review is what you make of it.
Also, in the latest issue of Stereophile (April 2013), Art Dudley sheds some interesting light on the reviewing policies and interaction between reviewers and manufacturers. It's perhaps more of a rant, but it does describe what's going on behind the "closed doors" so to speak, and probably answers some of the questions and claims raised in this thread. I recommend it.
In the end, to me a review is what you make of it.