2008 RMAF – – – all things analog.


I have two questions/comments on the 2008 RMAF below.

1) First thing…

Who’s Going?

I’m going for my second consecutive year. I enjoyed last year a great deal. I had wonderful discussions with analog types like Thom Mackris, Alvin Lloyd, Jeff Cantalono/Thomas Woschnik, and Frank Schroeder. I had time with my own LPs on all of their tables as well as quite a few others. I’m looking forward to this coming year as well.

If you are going to the 2008 RMAF, I’d like to know so I can meet some of you out in Denver.

2) Second thing…

Any suggested Table, Cartridge, Arms to pay particular attention to?

Again, If you are going to the 2008 RMAF, I’d like to know so I can meet some of you out in Denver.

Dre
dre_j
It was great being there, and a first for me. Our room sounded as well as we expected, but the best thing of all was being able to put AudiogoN names to faces.

Meanwhile, I am soooo tired.

Win
We should also thank Cello (Larry) and Vetterone (Steve) for putting the Agon get together on.

Hangin out with Jeff, Thomas and Reinhard and the High Water Sound crew was a blast for me. I loved the sound. I also saw first hand the huge undertaking it is to put a room together and show off your gear, so I have a lot more respect for the dealers who attend and show at these events. Well done Jeff!

Hopefully people like us can continue to afford these toys in our current economic conditions and keep these dealers and these great shows alive.

Paul
Well said, Paul. I accomplished what I hoped to and then some, so although attendance was down a bit, it was exciting. And as always it was fun to associate names with faces. I recommend RMAF way over CES for those not in the business.
Too busy catching up at work for a full report. Quick impressions...

A huge thank you from Paul and me to Larry and Steve for the A'gon receptions at "Garcia's". Friday night was great, Saturday night was better! I got to meet many A'goners for the first time. I didn’t know half of you half as well as I should like; and I like less than half of you half as well as you deserve!

BEST COMPONENTS
Win's (Mosin's) Saskia turntable. WOW! I expected a lot and it's much better. We brought an LP specifically chosen to reveal certain shortcomings which we'd predicted. The Saskia proved us wrong by playing it beautifully. Macrodynamic pace and microdynamic timbre were both rock-steady through transients of every description, the best speed performance of any table I've heard. Win's beauty deserves a better arm and cartridge than it had, nothing but the best in fact. My vote for Best Component in Show. I'd only want to hear it in a quiet environment with top class companions before saying it's completely worth the rather impressive asking price.

Reinhardt Thoress' 300B mono amps (in the Highwater Sound room). New to me, but they made extraordinary music.

Odeon Speakers (being driven by the above amps), a completely involving musical performance from very small floorstanders. Proof again, if it were needed, that efficient, easy to drive speakers and a great low powered amp are the key to clarity and musical honesty.

Audio Kharma speakers (here and there). If only they did bass, they do everything else so well.

BEST ROOMS
Highwater Sound (room 1116), with the Thoress amps, Odeon speakers plus Thomas's TW-Acustic Raven and four tonearm/cartridge combos. Fully integrated sound, slightly softer than a Kharma or a screen but not so much that we objected, and fully engaging on each of our three visits. A room worth coming back to. Paul's vote for Best Room in Show.

Oswaldsmille Audio (room 464), with Win's table, Schroeder Model 2 + Soundsmith Voice (this table deserves much better), a little Tectron amp and the only large horn speakers Paul and I have ever been able to tolerate. Not only did we tolerate, we stayed for nearly two hours, more time than we spent in any other room.

INTERESTING STUFF
Nordost Quantum QX2 and QX4 power circuit treatments/conditioners/thingies. We're still puzzling out how they work, but work they do.

MISSING STUFF
Wish Coincident speakers had been there. Something I haven't heard but want to.

OTHER STUFF
Room after room that sounded boring, wretched or downright painful. Paul's long time fantasy of buying a certain speaker was shattered: we heard it in three rooms, ran screaming from all three. Somebody must enjoy them.

BIGGEST/SADDEST MYSTERY
I know show conditions are tough, but why would a premier speaker manufacturer whose products I know are good, plus a premier electronics manufacturer whose products have impressed me in both my system and others, showcase their elite models using a mid-market CD player. I suppose some other arrangement must have fallen through, but they should have begged, borrowed, bought or stolen one of the umpteen top shelf digital players floating around the hotel. As it was, they spent a fortune on the largest ballroom in the show to demonstrate the ability of superb electronics and speakers to reveal the inadequacies of a third rate CDP. High hopes going in, very sad going out (about 30 seconds later).

MOST FRIGHTENING
Frighteningly expensive speakers that looked like robots on LSD, and sang like them too.

MOST FUN
Meeting so many of my friends, dinner with Tim (Piedpiper), watching Paul get schnockered at Tri Mai's free single malt reception (now that's a class act), seeing Chris Brady's new tonearm and hearing his enthusiastic explanation of some of its features, watching Thom and DocSavage not panic on Thursday night when he realized the phono stage they'd just delivered was in fact a line stage and he couldn't play anything but a 60hz hum, learning that Vacman, Dave Slagle and another guy we met are near neighbors so we can trade visits, discovering there was a Starbucks in the lobby so I didn't have to drink the so-called coffee in the restaurant at breakfast, sleeping in on a weekday, chatting with other audio geeks while waiting for the ever stalled elevators, etc........

Great time! Thanks to all who make it possible.
Doug,

It was very nice meeting you and Paul; I also happen to agree that the Oswald Mills room was entirely engaging and gets my vote for Best of Show; I spent more time there than in any other room - aside from perhaps the Highwater Sound rooms, both of which I enjoyed considerably (although for different reasons - Jeff brought great LPs, and had a mono cart). Win is doing something quite right with his Saskia table, and the entire system was extremely revealing yet tuneful, capable of exquisite low-level resolution with a temporal correctness that was nothing short of open-reel quality. All this with 2 watts of 2A3 - cool. I also liked the full-range Feastrex room in the back-loaded Urushi cabinets - I thought the system had coherency in spades, even with a digital front-end. There were a few other things here and there that made me linger for a bit and I'd say on whole, this year featured more good-sounding rooms than last year's show.

My thanks also to Larry for the Fri/Sat evening GTGs. Fun was had by all (despite Garcia's mediocre "margaritas" which tasted more like Slushys to me..) and it was nice to finally attach some faces to the usernames. Until next year...

-Richard