2017 ‘Keeper’ speakers under - $25K


Heading towards the second half of 2017, I thought to ask here what other’s feel based on their experiences, wants or desires, exactly which recent production speakers under $25K, would be the ones you would want to marry.

Or be in a very long term fundamentally though not totally committed, relationship.

One wherein if they promise to satisfy on demand, you promise to keep them clean and sufficiently supplied with power and the purest of signals, not to leave dirty clothes on the floor, and to take the trash out daily, er, uh, regularly.

Actually, those last two items are predominately conscience driven and do not command perfect adherence.

Which speakers hands down just flat out captivated your attention, fancy, or were so compelling they made a significant impact.

In short, Speakers that have taken your breath away .

As speakers are merely one part of the ching let’s qualify things somewhat.

1. Speakers which can run very well in medium sized rooms. EX. 14 to 18ft wide, and 17 to 25ft long or deep, with ceilings from 8.5ft to 10ft H, or so.

2. If a sub was or should have been added, please, mention that as well.

3. If an Ultra high end setup, massive SS power amps, Tubes, or flea watt amps, were feeding and or driving them noting it would be appropriate.

4. Recent production since 2015. New or used.

Although it seems prudent to list only current production speakers, I know adding on the facet of pre-owned adds a lot more choices for the ‘desert island’ I got mine, you get your’s, scenario, but what the hey. It beats that 250 to 500 plus hours of run in new units usually insist upon.

If links to accounts or info on them is available, please include it.

As this is about options anyhow, let no design be excluded.

blindjim
A set of good tubes and horn speakers is bliss. 
Not sure I could have only one set of lifetime speakers. I listen to a lot of jazz and it's accompanying trio of music and I've found something as simple and non pretentious as Klipsch Bell's BREATH jazz effortlessly on low volume to mid low volume. I know their limits and within their confines they make beautiful music.
Going this route you'd have extra to spend elsewhere. 
Anyway, I'd have to have a set of horns in one room then cones in another. Best of both worlds variety is spice of life and all that.
Best to you sir in your search!

Inna > … JM Labs Grand Utopia… Perhaps on a smaller scale you would like that sound as well.

Blindjim > Inna you’re a tremendous aid in expanding my horizons on various themes and gear. THX!! The Focal Sofras are on a list of sorts. Having heard only a few of Focal’s entry line spkrs, and never really been a fan, it is a big ? still. It also seems to imply stronger amps are needed than low power tube amps. So, it’s a different tact on the same prospect for achieving great sound. …and no, they’re not atop the list. VA ‘the Music’ are.


gsm18439 > … should be able to audition any pair of speakers in your own room

blindjim > I do agree, however, there are more than a few obstacles to that end.
Listening in a similarly sized room should be good enough. Especially if the session is in a distant venue. If I can find something local that appeals to me, its gonna be a far more doable thing.


Keithr > …. prefer the more "modern" sound of the Gibbon Xs

Blindjim > many thanks!!
I can’t find one article, decent or otherwise on the Gibbon ten. Anywhere.

It has always been my exp if the amp’s damping factor is high, or the wpc is, the bass reacts to it with better speed and harmonic response, or tunefulness. The room does play a part though.

I get it the O’s are just two drivers and the X’s have another cone.

What kind of amp and how large was the room when you heard both speakers? Do you recall? Similar amps and rooms?


rx7onmymind > Not sure I could have only one set of lifetime speakers.

Blidnjim > agreed. If we are all honest, a pretty big section of us will say exactly that. Some wil obviously opt their second wish for HT. or for tubes. Or for S.E.T. & high eff spkrs as you mentioned.

I feel we need all three. On some level, to some extent. I simply enjoy music. Some genres IMO work best in one amp & spkr arrangement, and some genres work best in another.

As good as past rigs of mine were very satisfying across all genres, there’s something about hearing a torch singer and small jazz combo. Or solo folk artist and all on triode power that SS just can’t get with, let alone, surpass..

I’m sort of hoping somewhere along the way I’ll hear a rig that really sends me, and its one I can afford, or even mostly afford, and that will be it for the main system. Hopefully, it will be or sound like, tube amps. Albeit, if not, its not a deal breaker if the sound is a ‘killer’ sounding rig.

Maggie 20s were the very first hi end speaker I ever heard. Driven by Levinson power and Sony – Phillips SCDP 1 playing CSNY. Their imaging was immediate and tangible. I had to look twice to see no actual musicians were standing between the panels. Amazing.

Although, the very next room had a huge Krell amp pushing a pair of BW nautilus speakers and the astonishment continued.

If only electrostats, panels, and the like had more mid bass and up jump factor… I’d be right there!