A Copernican View of the Turntable System


Once again this site rejects my long posting so I need to post it via this link to my 'Systems' page
HERE
128x128halcro
Halcro,

I'm not sure if his argument about the sole role of the tt (by which he champions the Sirius III) does actually move it into the 'software' domain. Anyway, not to claim that Moncrief had any axe to grind but respected former Rockport owners self-confessed having sold their Sirius III tt's to get a Technics DD.

Spectacular speed consistency and wow and flutter control are all demonstrable on other tt's than the Rockport: not to mention an unarguable ability to avoid sounding 'grundgy and veiled'. My personal experience also denies me the ability to accept many of his a+b=c conclusions, as pursuasive as these often appear.

Just my two pence worth

As always
Dear Halcro, what is missed - almost entirely - in the whole discussion about turntable drive mechanism, is the one paramount conditio qua non that the movement of the record shall be absolute.
This does - a priori - eliminate ANY drive, which features speed control. Furthermore it disqualifies ANY drive where the transmission features ANY elongation.
It however still leaves the turntable in the "hardware" category....;-) ...
Cheers,
D.
Hi Dgob,
I think you re-read the bit about 'speed consistency' and wow and flutter figures.
Peter Moncreif agrees with you that these 'specifications' are easily attained but generally useless as they are 'averaged'?
It is very easy to obtain 'average' speed consistency but it is the 'instantaneous' deviations to speed caused by complex musical passages and their affect on the stylus which he states is extremely difficult to deal with?
I believe that Mike Lavigne kept his Sirius III alongside his SP10MkIII for quite a while before selling it?
Whilst the Rockport was staggering in its high-frequency performance.....my experience with it showed a lack of bottom end consistency perhaps attributed to its linear-tracking tonearm?
My current experience with the speed control on the Victor TT-101 is changing my perception of the benefits therein and so far.......without concrete refutation of Moncreif's analysis.....much of what he says rings true?
Cheers
Henry
Dear Daniel,
I think he covered that aspect of speed control pretty thoroughly?
You are simply saying.........'he's wrong, I'm right'?
You offer no evidence nor counter any of his arguments whatsoever.
This is surely not a way to convince :^)
Cheers
Henry
Dear Halcro,

I always have regarded speed control, especially for the "belt-drive guys", as absolutely crucial. Drive Force, stability and precision are a must for a very good turntable system.This is why I implemented the VPI SDS drive on my two Micro Seikis in a two way fly wheel configuration. And this is why I am using the Dusch Multiconverter DU 937 for steering my EMT R80 also controlling it very precisely with my Strobo-weights.

I do know people listening to records "in a slower mode" than 33, 45 or 78. They enjoy it as a bit smoother sound. I don't know what they enjoy, maybe wow & flutter, instability and a change in sound... so what.

best @ fun only