Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Paul79 - I never said they were bright. In fact they were not. But I found at times they shouted at me. And the low frequency just didn't get to where I wanted. The room wasn't ideal but it wasn't poorly setup. I feel I got a good sense of what they were capable of.

Wisnon. Going Goldman is a huge right angle turn from my current direction. I'm not sure I can emotionally handle that drastic a change. I know and like Bob so I'll call him to chat.

I re-heard the Vandy 7/2 today. I don't have time now to report and I need to gather my thoughts and opinions. I'm running into the operating room. I'll post later.
I also have the Mac Mini, with the SR5-18v5 Paul Hynes. SSD, 8g ram, Amarra, Audirvana... It is pretty good, but the Totaldac Server is ALLOT better in every way, most notably in transparency, dynamics, and 3D imaging/sound-staging. I also hear no difference in FLAC, AIFF, WAV, that sort of thing... It all sounds fantastic (Linux for music man!!).

The Totaldac USB Cable is a nice tweak for cleaning up the sound from the Mac Mini also. This is something cheap to try. That little sucker was my gateway drug into a full Totaldac Twelve 4 box front end, which I find to be other worldly digital reproduction. Not cheap, but I am not looking for another DAC...

I recently did a comparison to an $80K analog front end, and the Twelve held its own. Both in same system with the same music. DSD vs. LP. The Totaldac lost out to the ultimate ambient resolution and absolute perfect transparency of the analog rig, but in every other way, the two were comparable. Speed, image focus, tuneful accurate bass, soundstage accuracy, sound of the instruments, dynamic contrasting, etc...
Matt, no need to do an about turn, just go lisetn to see what is possible.

You have so far been wide open in giving everything a chance to better hpne in on what you like...
Matt

I'm glad you had a chance to listen to the Sevens again today. I should have coordintated I was at John's yesterday. Just so your are aware the Sevens John has are the orginal ones not the MK II version. I'm not sure there is a big of enough difference to fundamentally change your impressions but just wanted to make sure you were aware. Having said that the review the CTSooner mentioned from Audio Beat on the Seven MKII did suggest the difference was very significant. I can't wait to hear you thoughts and also am curious on the comparison between the ODSE and the Bricasti M1 now that you have had some time to compare.

Jeff