Absolute top tier DAC for standard res Redbook CD


Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
Thanks George. I'm a huge fan of Bruno's NCORE module! Can't wait to hear what he can do with a converter.

The MSB line conditioner arrived yesterday. I hooked it in and ran the little ground wire to my amp as described in its manual. I've never used any type of system wide grounding system for my room since I ran the electrical myself and was meticulous with running identical power line lengths for each outlet back to the dedicated breaker panel. I tried the conditioner with the ground isolated and shared with the amp. In my system I didn't really notice a difference, which may be because of what I just described I don't have enough understanding of ground loops and such to give a better answer.

The conditioner itself was on par with my Shunyata Hydra conditioner I currently use. I A/B'd them basically. I never ran the DAC straight to the wall. I'm going to hold onto the conditioner and try it on my ODSE to see if it makes a difference.

Regarding the MSB Diamond DAC:

Fit and finish are Statement level as you would expect. It's the most attractive and well built DAC I've had in my room. I had the black but would have preferred the white/silver. Controls and remote were well laid out and easy to use, as was the back panel. Nothing was in the way of anything and the cable layout flowed elegantly. The settings, as I said, were limited (which i prefer) and I ended up leaving them default. The upsampling softened the overall gestalt and decreased the height of the soundstage. And I could not discern a difference between upsampling #1 and #2. So I left it off, default setting. The filters caused a more dramatic change but not for the better. Default was 32x; which I preferred 95% of the time. The other 2 settings reduced low frequency extension, exaggerated the upper mids and highs and gave the sound a more technical nature. The background became the foreground with the 3rd filter setting; quite strange an effect really. So settings, as such, remained default which is what Vince suggested when I spoke with him at RMAF.

I initially ran it through my Burmester 077 preamp. The DAC has a recognizable warmth. This was decribed to me by the dealer as a result of removal of all noise and jitter, leaving behind just the music. It was not overwhelming and clearly something many will prefer. At first it felt natural and flowed but over time I became more aware of it; sometimes good and sometimes not. Staging, imaging, tone and texture were all dead on as were leading and trailing edges (which I found more easily identifiable with the MSB then any other DAC). The 16x filter removed the warmth almost completely, but the magic of the MSB also faded. It was sweat, engaging and felt right many times. But I didn't feel like I was getting quite the accurate portrayal of what was recorded. That was provided more naturally, to my ears and in my system, by the Emm Labs unit.

I then tried running it direct from DAC to amps. As any of you who have been reading since the beginning (and you know who you are, you crazy pathological dedicated few) know, I have consistently preferred running my DAC thorugh a preamp over direct to the amp. The MSB is quite an accomplishment in engineering regarding fits volume control. With the DAC run direct, the warmth was stepped down a notch or two. It was still there, but for the first time I thought I preferred my DAC run direct. I felt I gained a level of analytical detail and removed a touch of warmth and for that I preferred direct. After more listening felt that I lost a sense of air, complexity and depth that made me eventually put the preamp back in. If I were ever going to run a DAC direct, this would be it. Which is good because at +/- $42k, saving money on a preamp would be a very good thing. If I were going to run a DAC with a lesser preamp I would go direct honestly. But the previous Rowland Criterion and my current Burmy 077 are SO good that I think they just give me what I need to complete the whole scenario. Maybe it's just me...

In the end, I prefered the more natural sense of tone, realism, complexity and depth that the Emm gave me. I was given the opportunity to acquire an early run of the brand new SOTA Emm Labs statement DA-2 just shown at RMAF. I couldn't pass it up and placed a deposit. If it's better then the dac2x, which I can't imagine its not, then I should be quite happy with the results. For now, the MSB goes back with no misgivings and my ODSE is back in. The DA-2 should be here late 2015/early 2016. So I will hold off on any additional DAC trials until the DA-2 has arrived and is well burned in.

That being said, I seam to have people send me dacs to try out and compare. If/when that happens I will report and let you know. For example, my neighbor's Berkely Ref DAC with usb/SPDIF converter should be arriving early next week. We will burn it in on his system and then I will borrow it and report. He also just got an Aurender N10 music server so I can start playing with that and will report shortly as well. I want to give that 100-200 hours to burn in.

In the meantime I received a very unique product from Waversa that I was asked to play with and evaluate. It is called the W Smart Hub and is probably amongst the first of a new line of product that will start to emerge with the onset of Renderer's, NAS drives and Internet integration. It is essentially a battery isolated Audiophile grade Data Hub. It has both usb and Ethernet ports on back. Usb goes between server/DAC and Ethernet between NAS/network and between server/renderer. Each signal is repowered from the battery, totally isolating it from any external power and then each port is filtered to isolate noise. It sounds cool but I have not had time to actually install it in the system. I'll try the Ethernet part first, then the usb, then both. Let's see.... I can say it's built to a very high quality level with a very nice fit and finish.

This could be nice, all starting to get back on the R2R Ladder Multibit wagon. Maybe it does Hi-Rez as well.

http://www.thraxaudio.com/Maximinus.php

Cheers George
Can you elaborate on its ability to do DSD? Can it do double or quad DSD, which seems to be the way digital is going?
The Ultimate Tweak:

I want everyone to know that I have spent the past 13.897 weeks secretly researching and implementing what I consider to be the worlds ultimate audiophile tweak. I am, quite frankly, shocked that no one else has thought of this before me. After delving into room treatments, cabling, vibration and electromagnetic isolation, psychoacoustics, phase and time shifts, and simple speaker and seating placement it became clear to me that we have all missed the proverbial boat completely. As the waves of music emanate from the speakers they instantly hit the greatest limitation we all suffer from. Air my friends. That ghastly combination of mostly Oxygen with some Nitrogen, Helium, and a few other trace elements compressed at a measly 1 ATM (atmosphere of pressure - 760 torr). Our beloved waves of acoustic energy affected by such a plebian design as air; it makes me wretch and heave just thinking about the unacceptability of the situation.

Once the thought came upon me I was unable to sleep, eat, drink, work, respire, perspire, perfuse or waste a single molecule of ATP on anything other then my new goal. I immediately set at work sealing off my room of any possible entrance point for that horrible air. Such a poor transmitter of acoustic waves that they travel but a few meters before dissipating to the four winds (literally). Once my room was devoid of all things air'ish I began phase 2 of my plan.... what would work better then air? My first juvenile attempts were to simply try air collected from outside of some of the more prominent Audiophile companies. as is the case with wine and the earth the grapes grow in affecting their quality, if these companies can make music sound good it must be the air around their manufacturing plants that has something special... I began my trek to the corners of the globe (has anyone every realized what a stupid expression that is?? Globes, by definition, have no corners!)and collected air from outside Nordost, Rowland, Burmester, Soutution, Accuphase, JM Labs, YG, and many of the other reveared companies. I pumped my room full of each of these collections to no avail... I will admit that the air outside of the Colorado based Rowland Group has a rather funny smell and made me feel great, but it didn't improve the actual sound quality. My suspicions were realized in full, air in all of its forms was not the solution....

It took months, 78 trips to the hospital, and a small fortune in rare and available gas combinations to come upon the solution... With a combination of compression to between 9 and 14 ATM (around 9,120 torr)of 98% Nitrogen, 1% Argon and a small mixture of Xenon, Vaporized Silver (gives the sound a touch of accuracy), Silica salt ions and the concentrated smell of my Maltese's left ear canal I had done it! The compression needs to be highest in a direct line from the speakers to my ears (what I refer to as the listening tubes) and then mitigate as it expands laterally, giving the sound increasing speed as the pressure reduces, reflects, and then hitting a wave of higher pressure at it re-enters the listening tube as a reflection. The increased viscosity of the listening tubes propagates sound at a much more efficient level then banal air and the wave front created by the change in pressure essentially eliminates all reflections. Utter perfection!!!

The room came at a cost of 19.4 million dollars as the variable compression device is rather complex and is wired completely with Odin 2 speaker wire; 2/3 of a mile of it in total. The gas cost is negligible and my Maltese doesn't seam to mind me extracting the ear canal odor much at all. I have, unfortunately, been hospitalized several times for severe cases of the bends and I subsequently installed a very sophisticated decompression system which allows me to listen to music down to about 4 atm before the sound quality becomes unacceptable.

Compression requires about 2 days to fully stabilize the variable compression system which is perfect as it allows my equipment to warm up nicely during that time. I have taken to knitting, sock puppet animation and cats cradle to pass the time during compression and decompression.

I tried a Synergistic Research Atmosphere to fine tune the system and it seamed to work wonders until I set it to its Easy Listening setting and it had a severe interaction with the Xenon, Argon mixture and blew up half of my block. Boy were the neighbors pissed!

As it stands I believe I am the first in the world to have this system and I am utterly disgusted at al of you for not thinking of it sooner. It is the proverbial "No Brainer".

Please let me know if you would like to implement one of these systems in your home. I will gladly provide a detailed layout of the entire design and a list of all necessary supplies.

You, of course, will have to provide your own Maltese.

If you don't have one of these then you truly can not call yourself an Audiophile!

Oh, please keep in mind that the respiration system required to breath in what I have come to fondly refer to the room as "The really freaking expensive room filled with gas and lots of pressure that makes my nose bleed and ears happy," is made of carbon fiber and requires carbon fiber air tanks and hoses to avoid ringing. I mean, any Audiophile worth his weight in StillPoints knows that its gotta be carbon fiber! If your not going to take this seriously then don't even try....