I relearned today that when something isn't working, and it should be, just keep moving stuff around and see if it changes.
I couldn't figure out why this Antipodes DX music server that everyone is raving about was not sonically beating my Mojo Mac mini. The DX sounded good, but not great, although it was a touch smoother, but it was certainly not as dynamic as the mini, or as extended, or with as much resolution...bummer.
I received some Furutech fuses yesterday and proceeded to put two 2A Furutech fuses in the DX (yes, it takes two), then I remembered that when I first set up the DX, I did not have enough power cords so I had used an old 14awg SJT Belden cord with molded ends. Therefore, I took the time to build up a power cord from bulk Neotech NEP-3002, an 11awg cord made with UP-OCC copper wire. I used Furutech FI-25(G) connectors.
Well, to cut to the chase, the DX now sounds waaay better and yes, it rocks. I am sitting here listening to "Blues for the Lost Days," "Kids Got the Blues," and others from John Mayall's 70th birthday bash at head banging volumes, and I doubt whether I have ever heard this stuff sound better in my system. For something a little more acoustic, Warren Haynes' Benefit Concert #4 with Sons of Ralph, and many others, is also sounding very nice.
The DX is tonally rich and has an analog-like coherency. It sounds controlled at all volumes. With the new fuses and cord, it now seems plenty extended and well-balanced. For some reason the mini previously sounded more dynamic and had more bass drive. Things are now closer, but the mini is still louder at the same volume setting for some reason. Bass from the mini is very hard hitting while from the DX it is a bit fuller but perhaps not as well defined, hopefully this will improve. The DX reminds me of my former MUSE digital player in that it is well balanced across all frequencies but seems more focused on the midrange, which is dense and vibrant. The very high end and low end seem to be supportive of what's going on in the middle octaves. This is not a bad thing and in my experience is a good characteristic for long-term satisfaction.
The Mojo mini server still sounds great, and I have more comparing to do but, for the first time since the DX arrived, I suspect I have a new server. More to come.
I couldn't figure out why this Antipodes DX music server that everyone is raving about was not sonically beating my Mojo Mac mini. The DX sounded good, but not great, although it was a touch smoother, but it was certainly not as dynamic as the mini, or as extended, or with as much resolution...bummer.
I received some Furutech fuses yesterday and proceeded to put two 2A Furutech fuses in the DX (yes, it takes two), then I remembered that when I first set up the DX, I did not have enough power cords so I had used an old 14awg SJT Belden cord with molded ends. Therefore, I took the time to build up a power cord from bulk Neotech NEP-3002, an 11awg cord made with UP-OCC copper wire. I used Furutech FI-25(G) connectors.
Well, to cut to the chase, the DX now sounds waaay better and yes, it rocks. I am sitting here listening to "Blues for the Lost Days," "Kids Got the Blues," and others from John Mayall's 70th birthday bash at head banging volumes, and I doubt whether I have ever heard this stuff sound better in my system. For something a little more acoustic, Warren Haynes' Benefit Concert #4 with Sons of Ralph, and many others, is also sounding very nice.
The DX is tonally rich and has an analog-like coherency. It sounds controlled at all volumes. With the new fuses and cord, it now seems plenty extended and well-balanced. For some reason the mini previously sounded more dynamic and had more bass drive. Things are now closer, but the mini is still louder at the same volume setting for some reason. Bass from the mini is very hard hitting while from the DX it is a bit fuller but perhaps not as well defined, hopefully this will improve. The DX reminds me of my former MUSE digital player in that it is well balanced across all frequencies but seems more focused on the midrange, which is dense and vibrant. The very high end and low end seem to be supportive of what's going on in the middle octaves. This is not a bad thing and in my experience is a good characteristic for long-term satisfaction.
The Mojo mini server still sounds great, and I have more comparing to do but, for the first time since the DX arrived, I suspect I have a new server. More to come.