I owned the DirectStream DAC, Border Patrol DAC SE, and Benchmark DAC3L at the same time, so was able to compare them. The latter two dacs cost much less and can be combined with a separate streaming source and still cost much less than the DirectStream with Bridge.
I sold the DirectStream DAC and kept the other two dacs. It was too laid back and it lacked the image dimension and weight of the other two dacs, at least in my system and to my ears. Detail was silky smooth and exceptional, though.
The Border Patrol dac is closest to sounding like my analog rig, but not as detailed. I like it because it fills in the space between the speakers, and all the way to the side walls. It does this quite nicely, which makes for a natural, realistic sound to my ears. It often invokes a "you are there" emotion in me. I’ve really loved having this dac.
The Benchmark has more "blackness" between the performers on the soundstage. It does not fill in the speakers like the Border Patrol does, but soundstage depth and width are excellent. It indeed has a first row presentation which takes getting used to. It often makes it seem like you are in the studio with the mastering engineer. But it has the knack of being non-fatiguing despite its forward sound. It is very clean and pure sounding, and it lets you hear deep into the performance.
I just got a Mojo Mystique v.3. It’s soundstage presentation is like the Border Patrol but with better detail and image specificity. That’s the one that is going to be my daily driver.
I’m going to have to sell one of my dacs, and it will probably be the Border Patrol. I like switching in the Benchmark for its different presentation, but the Mojo is what I have been liking for everyday listening.
I sold the DirectStream DAC and kept the other two dacs. It was too laid back and it lacked the image dimension and weight of the other two dacs, at least in my system and to my ears. Detail was silky smooth and exceptional, though.
The Border Patrol dac is closest to sounding like my analog rig, but not as detailed. I like it because it fills in the space between the speakers, and all the way to the side walls. It does this quite nicely, which makes for a natural, realistic sound to my ears. It often invokes a "you are there" emotion in me. I’ve really loved having this dac.
The Benchmark has more "blackness" between the performers on the soundstage. It does not fill in the speakers like the Border Patrol does, but soundstage depth and width are excellent. It indeed has a first row presentation which takes getting used to. It often makes it seem like you are in the studio with the mastering engineer. But it has the knack of being non-fatiguing despite its forward sound. It is very clean and pure sounding, and it lets you hear deep into the performance.
I just got a Mojo Mystique v.3. It’s soundstage presentation is like the Border Patrol but with better detail and image specificity. That’s the one that is going to be my daily driver.
I’m going to have to sell one of my dacs, and it will probably be the Border Patrol. I like switching in the Benchmark for its different presentation, but the Mojo is what I have been liking for everyday listening.