This is about amplifiers but it's applicable to everything in audio. It's from Bruno Putzey paper 'The F-word or why there is no such thing as to much feedback" whether you agree doesn't really matter to the quote.
The avoidance of feedback, specifically global feedback, also meant that longer signal chains quickly accumulated distortion products. A relentless drive for minimalist design ensued. If everything one adds to the signal path detracts from the result, only the smallest number of components will do.
This resulted in the ludicrous situation where fantastic sounding recordings were made with signal chains numbering up to a hundred amplifying stages and replayed on audiophile systems where even a transparent buffer proved an impossibility.
Hi-fi review is a complete shambles. The few magazines that do measure are capable of reprint-ing the most frightening distortion spectra from amplifiers and actually call them good. “Objectiv-ity” got downgraded from “independent of who’s doing the observing” to “not favouring particular brands”. For me personally the affair hit rock bottom when in 2009 two reviewers, one Dutch, one British, independently remarked of the same amplifier (a reasonably priced product with exemplary performance) that it sounded surprisingly musical for an amp with such low distortion. In the 21st century audio engineers build equipment while actively avoiding two of the most powerful tools available to the whole of science and engineering: measurement and error control. The damage to the audio industry and its reputation in the wider engineering world will remain immeasurable until we decide to take control.