Audiomat Opera/Recital

F1a, Thanks for the input. I'm fortunate that the dealer near me will allow me to try the amp at home. So I will be able to do what you have recommended. I remember when I first heard the Opera, the music stayed in my head for weeks after.

I went to the Montreal Expo and there was some good sounds there, but none that can beat the sound of the Opera for the same price. Do you mind telling me what speakers you're using? I will be using my Forests, but one day I would like to own Eqations or Living Voice.

Psc:
My front end is a Modwright SONY 999 with Signature Truth mods (tubed output) and the Opera drives B&W Signature 805 monitors.

You might want to try the Prelude as well, but it's not fully class A like the Opera, nor does it use the Opera's superior trannies. Good luck!

I'll side with F1a on this one.
The Opera is one superb integrated that gives you incredible insight into the music, without being the least bit grainy or harsh. All the texture and nuance is there.

For those looking for additional "color" (at a loss of definition) the Arpege is one smooth operator.

good luck

Well over three years after this thread began, my 2 cents. First, UHF Magazine has a review of the Récital and so does 6Moons. I heard it a couple of days ago in an extended listen. As it was for Psc, above, the music stayed in my head for days afterwards. Downside, I was not especially into listening to my own system during that time, much as it has improved recently. The Audiomat system I heard (with a CEC transport and the Audiomat Maestro DAC) provided musical heart and soul enough to nourish me for a while.

Now I am looking for my own copies of all the new music I heard that day, convinced that they are extraordinary recordings... but there is a real possibility that they may turn out to be no better than many I already have and know well, and that the real difference was the Audiomat gear.

So I think the Récital is a very impressive amp indeed, as good as any I've ever heard and just maybe the best. Not that it makes all recordings sound good. With some discs I was quite aware of the limits of the recording setup, with another one it was the limits of the performance. The unusual thing about this listening setup, though, was that in every case (except for the one bad one) it was precisely the performance that mattered the most, and it swept me up and occupied my attention entirely.