Goofyfoot, I think the later and current DG CDs are excellent quality and the Berliner Philharmonie concert hall clearly has good sonics.
I do know that during the mid 70s to mid 80s, Bernstein
(in Vienna) and Karajan were making very different demands on the DG engineers and the result in both cases were recordings resulting in a different sound compared to other DG recordings. So I don't know what to make of that.
As far as DG moving into digital, you make a very compelling case. What is very interesting to me is that Philips and Teldec (Decca + Telefunken) their German competitors made far superior recordings.
I do know that during the mid 70s to mid 80s, Bernstein
(in Vienna) and Karajan were making very different demands on the DG engineers and the result in both cases were recordings resulting in a different sound compared to other DG recordings. So I don't know what to make of that.
As far as DG moving into digital, you make a very compelling case. What is very interesting to me is that Philips and Teldec (Decca + Telefunken) their German competitors made far superior recordings.