I know the difference between detailed and tipped up. I can't stand tipped up. It sounds bogus to me and I have no tolerance of it. It drives me out of the room. The low level detail of the AT150MLX is earned with a micro-line tip and very low moving mass, not treble glare that spotlights overtones and hall ambience.
I listen to classical a lot and hear lots of massed strings on my record player, from Bach to Holst, Stravinsky, Shostakovich, and Hovhanness. I also attend live symphony performances several times a year, including three between October and the end of 2012. The treble on my analog rig is linear, not tipped up. There were some brightness elements that were completely ameliorated with vibration and resonance control applied to the turntable and tonearm.
The AT150MLX wasn't TAS's 2011 Cartridge of the Year for excess brightness.
I listen to classical a lot and hear lots of massed strings on my record player, from Bach to Holst, Stravinsky, Shostakovich, and Hovhanness. I also attend live symphony performances several times a year, including three between October and the end of 2012. The treble on my analog rig is linear, not tipped up. There were some brightness elements that were completely ameliorated with vibration and resonance control applied to the turntable and tonearm.
The AT150MLX wasn't TAS's 2011 Cartridge of the Year for excess brightness.