BEST HARMLESS/SIGNATURELESS SPEAKERS CAPACITORS.


Dear friends:I really need your helpwith first hand experiences with speaker crossover capacitors founded in next main experiences/tested premises: for a 3-way speaker design, high resolution audio systems, very low distortion audio systems, wide systems frequency range, " zero trade-offs ".

I know that the best capacitor is NO-capacitor, well I need your near to that full experiences with another desired premises from you: audio systems using SS electronics and mainly listening MUSIC through digital sources.

All your opinions/help are appreciated.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.


Ag insider logo xs@2xrauliruegas
Have not yet, but will next time I'm making a mouser order... Looking forward to hearing them. 
Just back from holidays, I'm going to contact mouser again and see if the have my values, other company wanted me to buy 100's at a time, I'm just curios if Wima can compete for other projects against boutique caps, sure would save me a lot of money.

Dear @paulcreed  : Check the Mouser kinks I sended to you.

According with my experiences in speaker crossovers I " can't " why will not works through electronics but we need to test it. Fortunatelly the MKP10 series is almost unexpensive and we can try it down there.

R.
Der @cal3713 @paulcreed and friends: """ is that voices sibilant almost disappears in all recordings with female and male voices. """

that sentence I posted is not exactly ture. Sibilants are still there and what it’s not there are the added noise/glare/distortions.

I already put the Wima caps in the mid range crossover too and with a complete astonished success.

In the past when I changed/up-graded for example: cables, resistors, attenuators/volume pots, tonearm wires and the like after did it the change and lñistened I was " worried " because I " feeled " that the system quaklity performance losted precense, air, shines, etc, etc. and SPLs with the same attenuator pot position.

In all cases thinks were ( when I took in count. ) that what really losted in almost all those changes was: added colorations, distortions, noises, resonances ( name it as you want it. ) and the SPLs measured does not been altered. System noise floor goes way down ! ! .

The " sensation " of lower SPL came/comes from way lower distortions and to feel more or less the " same " SPL " sensation " I have to go-up around 2db on SPL. So the Wima caps in my speakers permit that I can listen it at higher SPLs.

Those kind of experiences and now with the Wima caps confirm that the humble Wima caps handled the signal in better way than the boutique caps. The Wima don'y " impedes " in almost every way the signal pass-through  like the boutique  caps.

Now, with Wima in the tweeters/mid-ranges the overall room/system quality performance is overwhelming and I mean it.
If you take a piano recording each note/harmonics are a " fulminant " precise sound just as you can listen only in a live near field event. This characteristic is the very first time I heard in any system through my audio life. I'm rigth " there " and can hear the immedacy fast transient as never before.

After those experiences I can’t just go back ever and my speakers woofer crossover caps will be by Wima too. I’m just waiting tha Wima como back from holidays to buy it.

Wax, paper, oil and snake poison are only caps full of colorations. Think about: it can’t be in other way. So we pay for what we get and we really get a " poor " quality level through the boutique caps against the " fabolous " Wima.

Every day from the Wima changes I took daily 23 hours additional to what I lisneded in the past before caps change.

Rigth now the " low-reas " CD performs as that old statement: " best sound for ever ", really is the way it sounds.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.