Henryhk, they were right next to us at T.H.E. Show. He wanted to hear our amps and I had a backup set of M-60s available- The speaker is easy to drive (bass is handled by an internal amplifier) and every easy to listen to- spacious, detailed, wide bandwidth and very neutral.
MrT, you may not like the way that the record labels make their recordings but the fact is that they make their recordings the way they make their recordings. If you want the perspective to be the way you like it, you will have to go out and make a recording that way yourself. Whether best or not, any system that distorts the perspective of soundstage is in fact distorting the perspective of soundstage. An obvious distortion or inability like that is clearly not 'best', in fact it might be worst (the opposite of best), at least in the arena of soundstage depth.
Soundstage depth is one of many aspects heard by audiophiles. Audiophiles hear these things because they all have ears that use the same rules for sound location, intensity, bandwidth and so on. In fact these rules operate independently of taste.
I once met a guy who hated his teeth and wanted dentures. Loosing my teeth is one of my worst nightmares. Taste is the sort of thing that is so unaccountable that one person can hate their own teeth (even though they are healthy), or hate accurate reproduction of soundstage.
I submit to you that taste has nothing to do with 'best'. The best-sounding amplifier/speaker will be that thing due to the fact that it can reproduce an audio signal more closely according to the rules of human hearing than any other amplifier/speaker. You can still hate it though, for its attention to accuracy, detail, musical nature, relaxed and spacious presentation, bandwidth and impact: you can hate it for the very fact that it is the 'best'. You don't have to hate it consciously- and so to justify the taste issue it is also possible to say there is no 'best', but such would never be the case. It would be a simple denial of what is so.
MrT, you may not like the way that the record labels make their recordings but the fact is that they make their recordings the way they make their recordings. If you want the perspective to be the way you like it, you will have to go out and make a recording that way yourself. Whether best or not, any system that distorts the perspective of soundstage is in fact distorting the perspective of soundstage. An obvious distortion or inability like that is clearly not 'best', in fact it might be worst (the opposite of best), at least in the arena of soundstage depth.
Soundstage depth is one of many aspects heard by audiophiles. Audiophiles hear these things because they all have ears that use the same rules for sound location, intensity, bandwidth and so on. In fact these rules operate independently of taste.
I once met a guy who hated his teeth and wanted dentures. Loosing my teeth is one of my worst nightmares. Taste is the sort of thing that is so unaccountable that one person can hate their own teeth (even though they are healthy), or hate accurate reproduction of soundstage.
I submit to you that taste has nothing to do with 'best'. The best-sounding amplifier/speaker will be that thing due to the fact that it can reproduce an audio signal more closely according to the rules of human hearing than any other amplifier/speaker. You can still hate it though, for its attention to accuracy, detail, musical nature, relaxed and spacious presentation, bandwidth and impact: you can hate it for the very fact that it is the 'best'. You don't have to hate it consciously- and so to justify the taste issue it is also possible to say there is no 'best', but such would never be the case. It would be a simple denial of what is so.