Garebear, if the resonances are truly being effectively channeled out and external influences isolated, the sonic result should be more harmonically rich as the crud is removed to reveal the real sound. Any true upgrade, as opposed to a juggling of colorations, should have this effect, ie. less hash and grunge/more natural detail. In my experience this does not usually translate as brighter unless natural brightness is being masked. Even then it is not aggressively brighter, just more revealing.
Best rack for non-suspension turntable?
I have a Well-Tempered Classic turntable. For those unfamiliar, it does not have any internal suspension.
Does anyone have an opinion about the best type of equipment rack for this kind of table? My options are the Naim Fraim (I have Naim electronics, but the Fraim is obscenely expensive) which is rigid with glass shelves or the Isoblue which is composed of layers of different woods (so I'm told).
The Fraim supposedly is unbeatable with a suspension table like an LP12, but I'm not sure how it would work with a non-suspended table.
Any opinions?
Does anyone have an opinion about the best type of equipment rack for this kind of table? My options are the Naim Fraim (I have Naim electronics, but the Fraim is obscenely expensive) which is rigid with glass shelves or the Isoblue which is composed of layers of different woods (so I'm told).
The Fraim supposedly is unbeatable with a suspension table like an LP12, but I'm not sure how it would work with a non-suspended table.
Any opinions?
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- 40 posts total
- 40 posts total