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Best TT plinth material, cost no object

It is said that the best material with which to build a loudspeaker cabinet is LEAD, the second best is concrete and the third is Aluminum. Only the third has been adapted by the industry, for obvious reasons.

Internal and extraneous vibrations need to be dampened or eliminated if sound smearing is to be reduced,

Now to the turntable; remove it from the influence of vibrations, internal vibrations not withstanding, and the vinyl should sound better.

Not all of us can put the turntable outside on the sidewalk where only the elements can affect the sound, but can we make the plinth so HEAVY that we can come close to removing the turntable from the sound room entirely?

Can a lead plinth, not too practical, get us as close as possible to putting the turntable outside, on the concrete walk?

Your thoughts, Ken
kftool
schipo
1,268 posts
 
Buconero117
I read that so often to move your TT to another room. My problem with that is, once the tonearm sets down in the groove how much time does one have to run back and sit down and get into position?
c1ferrari
464 posts
 
Buconero117,

Should the electron microscope base be accompanied by a scanning electron microscope - brilliant images of styli can be had! :-)

Best,
Sam
kftool OP
104 posts
 
Thanks Albert, alias " Alley Cat," as I forgot about the posting . It's been three years since I began the table and it's still not done.

Ken
teres
120 posts
 
Odd that so many people fail to consider the significant vibrational energy that is being created by the stylus, enough energy that you can hear it. An electron microscope base may just make sure that the energy has no where to go. Acoustic energy from being in the same room is often trivial in comparison.

A good plinth needs to either dissipate internally generated energy or transmit it into something that can. Otherwise only part of the problem is solved.
lewm
13,142 posts
 
So, Ken, why isn't that project finished and what might you not like about the behemoth you built? Maybe that could lead you in a good direction. None of us have your skills in the first place. Many latter day belt-drive tables have virtually done away with a formal plinth and sound great. It seems based on word of mouth that idler- and direct-drive turntables do benefit greatly from a heavy, dense plinth intimately coupled to the motor/bearing. (But there are guys who like the Technics SP10 sans any formal plinth.) My own experiences with slate are in agreement with the idea that slate is very very good. (I have now made or had made slate plinths for Lenco, Denon DP80, and Technics SP10 Mk2.) But I would never claim slate is categorically "the best". Moreover, there are several different kinds and densities of slate, even within the US. For example, Vermont slate seems denser than Pennsylvania slate. I have no idea what that might mean. My SP10 plinth is made from Vermont slate.
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