This is so true about the stock Lenco’s ability to engrave its bold presence in our listening rooms. So much so, that early on in the original thread there were quite a few reports of procrastination because of it. Many of these Lenco pioneers were so smitten with the stock “iron fist in velvet glove” treatment to music retrieval, that some plinth builds languished for awhile. It was as if Ulysses Nantais had neglected to cover the ears of his crew to these seductive sirens songs. There were grumblings among the men - “Can it really get any better than this?”
Well, of course, time went on - plinth builds proceeded and the answer to those early grumblings was a resounding, “yes!”
My confession for today is that while I promptly sank a Lenco L-75 into a mass, constrained plinth - complete with direct coupling and two tonearms, I have another Lenco – a BP L-61 - that has been on stilts for nearly two years in my basement workshop system. It was sent to me as a trash unit for parts. I cleaned & lubed all the proscribed workings: Took an unruly, noisy motor and made it quiet: Got a wonderful the idler tire rebuild for $25: Reaffixed a broken idler arm anchor to the speed adjustment sled.
The tonearm was replaced with a Sonus Formula IV unipivot that was a perfect fit for the Bogen/Presto placed armhole. The Sonus, a longer tube version of the Mayware, sports a Shure V15Vxmr (of which the replacement styli buy-up and hording seems complete and criminal). A modest Marantz 2230 receiver drives a pair of Rectilinear speakers of unknown model designation. The music all this produces is so enthralling, that it seems vastly out-of-place for my humble basement.
There are plinth plans for this L-61. The marble for the outer shell that will envelope a traditional mdf/birch-ply sandwich, has already been dimensionally cut. Large, internal borings and epoxy fills to the inside of the 7/8” marble shell will be my attempt to break up any potential resonance from the marble.
Those are the plans anyway - which continue to languish amidst the siren songs of this stilted Lenco.
- Mario
Well, of course, time went on - plinth builds proceeded and the answer to those early grumblings was a resounding, “yes!”
My confession for today is that while I promptly sank a Lenco L-75 into a mass, constrained plinth - complete with direct coupling and two tonearms, I have another Lenco – a BP L-61 - that has been on stilts for nearly two years in my basement workshop system. It was sent to me as a trash unit for parts. I cleaned & lubed all the proscribed workings: Took an unruly, noisy motor and made it quiet: Got a wonderful the idler tire rebuild for $25: Reaffixed a broken idler arm anchor to the speed adjustment sled.
The tonearm was replaced with a Sonus Formula IV unipivot that was a perfect fit for the Bogen/Presto placed armhole. The Sonus, a longer tube version of the Mayware, sports a Shure V15Vxmr (of which the replacement styli buy-up and hording seems complete and criminal). A modest Marantz 2230 receiver drives a pair of Rectilinear speakers of unknown model designation. The music all this produces is so enthralling, that it seems vastly out-of-place for my humble basement.
There are plinth plans for this L-61. The marble for the outer shell that will envelope a traditional mdf/birch-ply sandwich, has already been dimensionally cut. Large, internal borings and epoxy fills to the inside of the 7/8” marble shell will be my attempt to break up any potential resonance from the marble.
Those are the plans anyway - which continue to languish amidst the siren songs of this stilted Lenco.
- Mario