Calling all analog experts


Currently I'm using the entry level MMF 5 with stock goldring cartridge. Recently listened to some high end Avid and Basis tables and now feel analogically impotent. VPI, Linn, Teres, Clearaudio and Basis are all products that I'd consider. Cartridges and tonearms I don't really know much about. Like anyone I'd like to get the biggest bang for the buck and have no problem buying used . Please suggest a strategy. Other components include:

ARC LS16 MK2 preamp
Cary 306 cdp
ayre v5-x amp
Revel ultima studios
phonomenon phonostage.

Thanks,

J.
jsonic
Apologies to anyone if I came on strong. I just love my TT too much. My motor had a circuit board bug and I just got it back from Chris Brady. He turned it around in one day and installed the $70 Signature II board upgrade for free! Hugs, kisses...

Jyprez,
Agree you can get great stuff used, better than anything new for the $. That's how I got my 901, otherwise we couldn't have afforded it. (Also my CDP and amp.)

If your Gyro is portable a side-by-side would be great fun. We could probably swap arms pretty easily, to make it as apples-to-apples as possible. I'd offer to return the visit but an assembled Teres is not easily transported. Tilting it even a little would spill oil from the bearing.

BTW, did you hear John Michell just passed away? Sad new for analog lovers, RIP.

Psychicanimal,
I don't know if the Teres project considered DD or not, great question. Eldartford suggested the same thing a little while ago. Controlling stylus drag is the goal of course. DD "should" do that very effectively, assuming other problems can be avoided. Since the Teres motor is claimed to be virtually noise and vibration free (as much as that's possible) it seems like an obvious candidate.

Sayas,
After testing many materials, mylar belts proved the best performers on Teres, Redpoint and Galibrier TT's. VHS tape was a close second. The advantage of mylar vs. rubber or neoprene is its dimensional stability. A non-elastic belt provides a direct torque linkage between motor and platter, instant resistance to that stylus drag Albert loves so much! If slippage can be avoided, a rigid link best emulates Psychicanimal's direct drive. Obviously this requires a motor that is vibration-free and speed-stable, so that dampening is not required. The Teres motor seems to fit the bill, and I expect the Redpoint/Galibrier motors do also.

You can check my thread "TT Drive Belt Comparison" for a description of the sonic benefits of mylar vs. the silk string Teres used to use. Also Agaffer's recent thread.

I've never observed any static buildup between my belt and platter. Perhaps because the Teres bearing is grounded? Perhaps because my wood platter is a poor conductor? Don't know if this is a problem for a Teres with an acrylic platter.

Jsonic,
If you're still following this very hijacked thread, are you old enough for some of this? How can a nude stylus be in drag?
OK boys calm down! I asked for help buying a hi-end table and now find myself in need of an audiophile to English dictionary. Mylar vs. neoplastic? Stylus drag? I'm in the beginners class not the advanced one. Jyprez: I think your Teres comparison regarding my situation should be with their entry level model not the 365. Must say though my dialogue via email with Chris Brady has impressed me as to his character. Now if I could just find one in my area to listen to.
Jsonic, you'll get a good TT anyway you go in that price range. We just have certain ideas what is the best for that price. Yes, we are biased, because we own them, but we know them well, too. I wouldn't trade my Teres for anything else near the money I have in it.
Is the Teres finicky to set up?

Can you move it once set up?

Seems to me the Linn tables are no longer in vogue from a new purchase because they are so finicky to set up and keep in play without more adjustments. They, regardless of comments here are not lower octave players...major reason for this is the open bottom box that they are collects air borne vibrations and amplifies them. Muddies up all sound when driving lower registers.

Most of the latest designs are simplifying analog with a simple suspension premise, layering materials to further break up vibration and better materials/parts, same for arms.

There is a reason Oracle and Linn are no longer a force in the TT business, there are better technologies with simplified engineered solutions.

Level it and play it, enjoy the music.
Jsonic, dope slap accepted.

You're right about CB. He won't sell you more than you want, but he may deliver more than you expect. He's done that for me twice. Thus my loyalty.

I haven't heard any TT at the $1,500 price point. Nor have I seen one whose specs, design elements and user reactions better the Teres 135. Just my observations.

Sayas,
Totally agree with everything you said. A Teres is the very embodiment of "simpler is better". Model upgrades get you better materials but the design is a constant, except for that crazy model 340.

Setup is simple. It's not quick, but only because the bearing needs 12-24 hours to seat and must not be handled during that time. The instructions on their website actually helped convince me to buy.

A Teres is not portable. There's an oil bath at the top of the bearing well that would spill over if you tilted it. Set it up where it's going to live and leave it alone.

Except for armboard angle there is nothing to adjust.

In my system the limiting factor for bass response is the 32Hz rolloff of my speakers. My TT goes lower, stronger and cleaner than my CDP.