Dear @halcro : All of us have to deal with each one audio system distortions, this is the real " name of the game ". I mentioned in my last post only because @thuchan gives no facts/explanation to his statements.
Additional @thuchan posted:
""" personal conclusion is you need an excellent phono stage like the EMT JPA 66 or the Boulder 2008 avoiding SUTs .. """ after this he posted SUT alternative is a better one but even if he did not posted this he gave two PLP that he took as his references on active high gain designs and for me that I listened one of them neither is a real reference. One of these units is all tube design and with several other negative factors too.
I prefer by a wide margin the unit you own that I know very well.
He posted too:
""" I found quite some limitations with ’active’ phono stages that ’passive’ SUTs overcome. """
with out explain those limitations and he told me that my comments are theoretical, go figure!
In the other side @thuchan is talking about the use of external SUTs. Coming from him this makes no sense to me.
Makes sense to you?
I insist on an explanation from his part because I think he could have something really new in his hands that my ignorance level can’t understand and as always I’m willing to learn especially in an analog subject so critical, sensitive and important.
I’m sure that he can put some true light here in benefit of all of us music lovers and audiophiles. Tha’s all.
Regards and enjoy the music,
R.
PS.: Btw, I’m not against SUTs per se ( even I’m using now. ), things are that I’m in favor of MUSIC. Nothing else.
Additional @thuchan posted:
""" personal conclusion is you need an excellent phono stage like the EMT JPA 66 or the Boulder 2008 avoiding SUTs .. """ after this he posted SUT alternative is a better one but even if he did not posted this he gave two PLP that he took as his references on active high gain designs and for me that I listened one of them neither is a real reference. One of these units is all tube design and with several other negative factors too.
I prefer by a wide margin the unit you own that I know very well.
He posted too:
""" I found quite some limitations with ’active’ phono stages that ’passive’ SUTs overcome. """
with out explain those limitations and he told me that my comments are theoretical, go figure!
In the other side @thuchan is talking about the use of external SUTs. Coming from him this makes no sense to me.
Makes sense to you?
I insist on an explanation from his part because I think he could have something really new in his hands that my ignorance level can’t understand and as always I’m willing to learn especially in an analog subject so critical, sensitive and important.
I’m sure that he can put some true light here in benefit of all of us music lovers and audiophiles. Tha’s all.
Regards and enjoy the music,
R.
PS.: Btw, I’m not against SUTs per se ( even I’m using now. ), things are that I’m in favor of MUSIC. Nothing else.