Hi Tbg,
It's stand-alone software and it does not do it's conversion in real-time. What you do is take the digital file (perhaps a CD or download) and up-sample to a desired target sample rate. Typically you double, triple or quadruple the sample rate based on the original file sample rate. You can also change the word length so a 16 bit file can change to a 24 bit file or higher.
It's a tool used in mastering studios to move files up or down in resolution. There is even a DSD version but my DAC doesn't deal with that so I purchased the Saracon software that only handles PCM formats. I assume some studios may master in DSD but mix down to standard CD.
There are different options for converting the file which I think are different mathematical models used in the process. I haven't had a chance to compare these sonically yet but I am starting to experiment with them.
Right now I've converted several favorite digital files and I've been listening to the original and the up-sampled file. Since disk space is so inexpensive these days I can keep multiple versions of the same file around until I settle on a sample rate. The software is a batch processor so you can convert many files at once as long as you have the disk space.
The sound quality is excellent and the control it gives you goes well beyond anything I have experienced in the hardware domain. I find it remarkable that an audiophile can have access to such powerful digital tools now for less money than many components.
It's stand-alone software and it does not do it's conversion in real-time. What you do is take the digital file (perhaps a CD or download) and up-sample to a desired target sample rate. Typically you double, triple or quadruple the sample rate based on the original file sample rate. You can also change the word length so a 16 bit file can change to a 24 bit file or higher.
It's a tool used in mastering studios to move files up or down in resolution. There is even a DSD version but my DAC doesn't deal with that so I purchased the Saracon software that only handles PCM formats. I assume some studios may master in DSD but mix down to standard CD.
There are different options for converting the file which I think are different mathematical models used in the process. I haven't had a chance to compare these sonically yet but I am starting to experiment with them.
Right now I've converted several favorite digital files and I've been listening to the original and the up-sampled file. Since disk space is so inexpensive these days I can keep multiple versions of the same file around until I settle on a sample rate. The software is a batch processor so you can convert many files at once as long as you have the disk space.
The sound quality is excellent and the control it gives you goes well beyond anything I have experienced in the hardware domain. I find it remarkable that an audiophile can have access to such powerful digital tools now for less money than many components.