I have always felt that every true upgrade to phono reproduction brings LPs that I had earlier felt to be mediocre or even terrible, in terms of SQ, to a higher level of SQ, where at times I have come to love some LPs that I once would have given away. I can name two very popular labels where I have found this to be the case, one is Atlantic and the other is Blue Note. Yes, I was once guilty of the blasphemy of not liking Blue Note LPs very much for SQ, although I am a big fan of the best jazz artists that once performed on their LPs.
Can upgrading your front end make your bad records sound good?
Upgrading my Ortophon RS 309D tone arm to a Triplanar SE transformed my record collection. (Woodsong Garrard 301) Previously bad recordings now sound interesting and enjoyable. Now it is rare that I find a record that sounds bad.
Inspired by this, I ordered and am waiting for an Atma-Sphere MP-1 to replace my Atma MP-3 and a Lyra Atlas to replace my Miyajima Shalabi. I don’t think this will magically make the few bad records sound good but the overall improvement should be significant and, maybe, great. The new preamp should flesh out the sound and the new cartridge should pick up much more of what is in the groves. Any ideas of what to expect?
Inspired by this, I ordered and am waiting for an Atma-Sphere MP-1 to replace my Atma MP-3 and a Lyra Atlas to replace my Miyajima Shalabi. I don’t think this will magically make the few bad records sound good but the overall improvement should be significant and, maybe, great. The new preamp should flesh out the sound and the new cartridge should pick up much more of what is in the groves. Any ideas of what to expect?
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- 8 posts total
- 8 posts total