Tvad, I have a Royer's Microphone demonstration disc. It covers the different microphone positions, and their affect on the final sound. Recording is an art in itself.
On solo acoustic instruments, with a uber-resolving system, you can indeed hear the rosin's stickiness, and those faint bow angle tonal tickles. That is what I want to hear, and that is what I have.
Orchestral staging is quite different. I am careful to choose a volume level that is compensatory to the distance between my speakers, 7.5 feet. That puts me on first balcony.
On solo acoustic instruments, with a uber-resolving system, you can indeed hear the rosin's stickiness, and those faint bow angle tonal tickles. That is what I want to hear, and that is what I have.
Orchestral staging is quite different. I am careful to choose a volume level that is compensatory to the distance between my speakers, 7.5 feet. That puts me on first balcony.