Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


128x128rvpiano
My putter died .

Interesting younger violinist very romantic and harmonic to the teeth .Born of Korean parents in Germany.
https://youtu.be/EmULX9QHCUU?t=1       Raised  and studied in Germany lives there as German Ciitizen(smart  lady} .


Chausson, Poeme Op25
P.S  The fact that  the Samsung Foundation  loaned her that  1704 Strad 
        helps a bit . Fantastic instrument  !
I enjoy exploring repertoire off the beaten track.

Last night was a disc of Lyadov's piano music.

Tonight is a disc of Eugen d'Albert's piano music.  What a biography! Look him up for an interesting read...
Eliso Virsaladze

This pianist is truly incredible. She is almost as old as I am.  From Tbilisi and then Moscow. 
quote
What are you conscious of when you approach, for example, Schumann, Chopin, Liszt, Brahms, etc.?
(Virsaladze)
Well, you can't express the music of any one of these composers without playing many of his works over many years. Beethoven has it all. If you can process Beethoven correctly, you will be able to understand the works of other composers in theory, that is. Take a look at Beethoven's sonatas and in them you can find Chopin nocturnes, various theme s and variations, Schumann, and Brahms, as well as even Prokofiev and jazz in them .
For example, you can even hear his Op. 101 sonata (Sonata No. 28),
Hammerklavier (Sonata No. 29, Op. 106), and the later string quartets in Webern and Schoenberg.
. . .
On the other hand, how difficult the technique for playing Mozart is! The fewer the number of notes in a sonata, the more difficult it is, because it's as if you are naked and exposing yourself in public. Still we have to make something out of nothing. In that sense, Mozart is more difficult than Beethoven. Beethoven is a dictator. He tells you what to do and it's all written on the score. Mozart does not do that for us. But there are a variety of reductions [meaning "various editions" of Mozart's work, and subsequent generations of people have been saying, “ play it like this” and “play it like that” and adding various things. People always want to put in something extra here, and add something new there. For example, today many people say that to play Chopin, you should use the Ekier editions. However, there were many wonderful performances of Chopin's music in the past. They say that Cortot was a Chopin player, but of course he wasn't using the Ekier editions. Anyway, regarding editions of Mozart's music, I think there is a great deal of nonsense out there.
www.tokyo-ondai.ac.jp › cms › uploads › 2019/11PDF

https://www.youtube.com/results?search_query=Eliso+Virsaladze+
hint: if you are looking for her recordings, be aware that her name is spelled several ways:  "Eliso" and "Elisso", "Virsaladze" and "Wirssaladze"